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Hello, welcome back to the edition podcast. I'm Charlotte Henry.

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Thank you to Clean My Mac from MacPore for sponsoring this week's show.

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And thank you, Mark Stenberg from Adweek for coming back to the show.

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I'm so thrilled to have you here. How are you?

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I'm good. You know, always, always happy to come back on. Yeah, it's been far too long.

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It's a shame though that you're coming on on such a quiet week where there's

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nothing really happening in the world of digital media, medium or broad broadly.

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So it's a quiet time, isn't it? Warner Brothers Discovery. We first had the

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Netflix bid come in and by all accounts be accepted.

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We then had David Ellison wasn't having it. And so we had a hostile bid from Paramount.

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And as we're recording this, something could happen by the time I've edited

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this and put it out. But that's where we stand at the moment where we're recording this.

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Where on earth does this go next mark it's

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such a good question i was i was sort of saying to you i mean this is giving

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me flashbacks a little bit to the when ellison

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was first trying to acquire paramount and it turned into this multi-month saga

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and some reporters i know almost start to get reticent to like cover every twist

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and turn in it because you start to think oh this is going to be you know a

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long hike and we're going to be covering a lot of different uh you know twists to it.

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So your guess in many ways is as good as mine as to where this goes.

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I was just reading some of the latest stuff about like the financial composition

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of the Paramount bid that involves a real coterie of characters and different

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sovereign investment funds and relatives of the president and everything.

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So I think like there's a lot of different angles to parse it from.

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You have to wonder like on some level it comes down to I feel like Netflix has

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more cash and that cash has fewer strings.

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But now you have Paramount putting up a larger offer and it theoretically has

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the political agency by way of Jared Kushner, by way of the Ellison connection, etc.

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So on some level, it becomes what has more weight here, the ear of the president

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or the stronger financial deal.

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Trump himself has said whoever pays the most should get it, which is classic

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art of the deal perspective on it.

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I don't know if he's going to sort of heed his own advice, But I think if it

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did come down to just a money thing, it'll be interesting to see how far Netflix

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will go to match Paramount because Paramount obviously was the one who kicked

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this whole thing off. They're very intent on having this asset.

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Netflix to me seemed like they were sort of just responding to an opportunity.

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So if this really turns into a bidding war.

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How high is Netflix willing to go? Are they going to beat that $30 per share

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that the Ellison's just put up? That would be interesting to see.

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And there is a fundamental difference, isn't there, between the two bids that

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I think is slightly getting lost, which is the Netflix big is just for the Warner

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Brothers stuff, HBO and so on.

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The Paramount bid is for everything. It's for Discovery, Warner Brothers Discovery,

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the whole shooting match.

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Why do you think that is? I think that Netflix knows that it wants no part of the cable industry.

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I think that it wants the I mean, and the fact that Paramount does is almost

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sort of inexplicable. I mean, that was like very counterintuitive.

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Like you have Comcast splitting into cable and streaming. You've got Warner

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Brothers splitting into cable and streaming.

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Everybody's thinking cable is throwing off cash, but it's a melting ice cube.

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Nobody wants to buy that.

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Here comes Alison saying, no, we want the cable elements as well,

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because because Paramount has, you know, a cable portfolio.

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Theoretically, they could combine, you know, the MTVs of the world with the

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CNNs of the world and have a stronger cable portfolio that could be really cash

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generative for many more years.

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But Netflix's logic makes a lot more sense.

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Frankly, it's saying, look, we're only interested in the future of this business,

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not the past, no matter how lucrative it is at the moment.

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But that does, you have like the Hollywood types who are sort of like,

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you know, clutching their pearls, envisioning two different dystopic futures.

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One in which, I mean, both of these, consolidation-wise, you're going to have

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one fewer bidder for IP, for shows, etc.

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That is concerning, but that is just a byproduct of consolidation.

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So I don't see how you get around that.

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The concern with Netflix is that they'll stop putting Warner Brothers movies

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in theaters, right? And so that has, like, Hollywood-type concern.

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And then with Paramount... I'm not convinced that's realistic because we know,

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and I know this from, awful plug here, from researching my book,

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Streaming Wars, out now, great holiday go.

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That Netflix really cares about winning the awards. Hmm.

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So at the worst, it is surely going to let those Warner Brothers movies go into

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theatres for at least the minimum time they need to to get into the award ceremonies.

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Surely. And yeah, and you know, and that's what they're saying.

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But you have their track record versus their promises and nobody can know for

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sure. I would imagine like best case scenario, right?

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Like best case scenario, Netflix puts Warner Brothers movies in theaters for

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the exact same duration that they're in theaters today.

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More likely scenario, it's a reduced version of that.

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Worst case scenario, it's a it's a fraction of that. You know what I mean?

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So it's hard to envision it being the same or better.

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Whereas like the case with Paramount is, OK, they have a studio business as

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well. They have a history of showcasing those in theaters.

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If they were to end up in control of Warner Brothers, there's far less concern

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that that would be in jeopardy.

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But with both, it's, you know, probably not going to be better in the future

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than it is now in terms of like theater showcasing.

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There's so much to come in this story. I'll have you back in a few weeks when we find out more.

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Really reason I wanted you here. well

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there are many reasons I wanted to hang out with you but there are really a sensible reason

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I wanted you on the show is to kind of do both the highlights of the year and

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then look to 2026 and what we think might be coming so you've covered so many

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stories this year including in your new newsletter what for you has stood out about 2025?

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Yeah. Thank you for the plug on background. Great media newsletter once a week. Subscribe to Adweek.

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And it comes out on a different day to the edition. So, you know,

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you can read that and then you can read yours.

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Yeah. Yeah. You know, I think there are a few big trends. The one for me that

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comes up constantly is going to be a subcategory of AI, but specifically the

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declining traffic that publishers are seeing from search.

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For the last few years, social traffic had been dwindling.

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This year, you really saw a drop off. I was talking to people from People Inc. the other day.

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They're saying the last six months, it really accelerated in terms of like that decline.

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So I think a lot of publishers will spin up a narrative about,

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you know, Google's been sending less search, you know, methodically over the last 15 years.

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This is just an incremental, but they're sort of saying that publicly,

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but then privately they're, you know, preparing for Google zero,

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seeing traffic declines of 10 to 40%.

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That's really material to their business. What I'm really curious about is at

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what point does that start to affect their subscription business,

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their commerce business, and not just their advertising business?

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That's been huge. It's a sea change in sort of reading behaviors and consumption

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behaviors that then goes on to spark all these downstream pivots from publishers

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where they're like, if we're not going to get traffic,

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the biggest thing that we're seeing is publishers are saying,

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okay, when we do get a visitor on site, we need to make sure they stay on the

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site way longer than normal.

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So we're using AI to improve recirculation, to make our sites stickier.

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We're trying to be more pragmatic.

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We're leaning into all these other strategies to basically juice engagement.

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So that's huge. I think it's going to be a real extinction moment for a lot

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of independent web-based... Do you mean that sincerely?

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Actually there will be websites and companies that own these websites that just

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go, we can't do this anymore. Goodbye.

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I think so. Unfortunately, I think a lot of independent publishers whose website

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is the front of their business and really the majority of their business,

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I think, are in for a really rough next two years.

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I mean, I just did this story. One sort of tranche of that is what happens to

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independent recipe bloggers,

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which I know are not like the backbone of the economy, But I think you Google

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chicken tzatziki recipe, you're going to get five pages of results all from

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mom and pop independent publications.

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Those kinds of websites are really imperiled.

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And I think if you haven't spent the last few years building on your email list,

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building a subscription list, building out social, building out video,

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building out events. It's like if you just are still like we run a website and

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one website alone, you know what I mean?

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Like maybe you're People Inc and you've got 40 of the biggest websites on the earth.

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That's different. But if you are an independent website operator,

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yeah, you're looking at a tough road to hoe.

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Well, you've really cheered me up. Thank you so much. That's really great to

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go into the holiday season feeling so uplifted. Thank you.

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Well, you know, you've got your, sorry, you've got your, I mean, you built your product.

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As a as a subscription product with an email so

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those are the i don't want to be you know to be callous here but if you have

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made it to 2026 and you still don't have any other sort of like distribution

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vehicle other than hopefully people find us on search then you've not really

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kept up with the times and frankly i i am not going to shed too many tears.

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Talk to me about the conversations about AI you've had this year,

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because I imagine that almost all your conversations, almost every day,

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don't take very long to get to the phrase AI.

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Tell me what's been happening there. What publishers have been doing this year

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to move in with the times, essentially?

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Yeah, I think that related to what I was just saying is this idea of like,

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okay, hey, how are publishers going to be compensated?

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How can they be paid when their data is ingested by LLMs and then regurgitated

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to provide answers in these different answer engines?

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That conversation has been on the tips of everyone's tongues. How can we get paid?

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You've got like 15 one-off deals that OpenAI has done with like Axel Springer

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and The Atlantic and The Financial Times,

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but 99% of content creators and website creators have

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not been paid and there's no system in process for them

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to be paid so tracking development on that front

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has been really interesting to me and something i've had a lot of conversations about

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yeah what do you make of the legal battles because

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we every you know i've seen different deals have been done and not done but

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there have also been some pretty uh raucous legal battles you mentioned the

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new york times for example they've been pretty robust in their stance particularly

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towards open ai am i right and chat in particular how do you see how that has played out this year.

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Frankly, unfortunately, there's not been much of an update.

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I mean, a lot of the updates on that front are the lawsuit has not been dismissed.

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You know what I mean? Or like, so it's like, it's still working its way through

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the courts. And I think OpenAI is obviously, and all these others perplexities

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been sued by a number of publications. It's a multi-year saga.

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And I think, unfortunately, like, I'm so grateful to those publications for doing that.

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But you really start to do this thing where you're like, the world is so different

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from when even that lawsuit was first filed to when it could presumably be close to finishing.

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And the political administration has obviously proven itself to be typically

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more on the side of AI than on, you know, content creators.

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So I don't have a lot of hope that it's some sort of sea change victory for content creation.

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Although it is a good, I mean, I'm looking at Mark Furious that he keeps being so miserable.

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Yeah it's um it's it's tbd

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we have to see how that like pans out but if i were a betting man

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i don't think that the courts are going to find this

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process of ingesting and regurgitating content to be fully in abrogation of

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copyright law and say back it all up you know what i mean undo the last three

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years of ai development i think more likely what we're going to see is i was

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talking to a good source about this last week on some level these models are

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going to can keep getting more sophisticated,

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but the volume of data that exists for them to ingest and train on doesn't grow exponentially.

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In fact, you could argue that they've largely trained on the available data.

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So there's conversations about like synthetic data and that kind of thing.

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However many decades of internet data compared

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to well it will be now months because that they

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will get in future right exactly so the

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question that becomes how much better are these answer engines

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going to get you know what i mean i think there had

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been a lot of concern over they're going to be you know agentic

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avatars are going to replace and it's like we've seen like

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a real plateauing of some of the evolution of these

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models i think jim and i came out and was the most impressive.

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Of the bunch recently but the latest model from chat

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gpt was somewhat underwhelming and i think

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that there's a real reason to believe that without vast new

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troves of training data to be unlocked and with publishers starting

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to link arms and block bots and demand payment

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for crawling we're starting to see the access to

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that available data constrict as well so there's a real question

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as to maybe these publishers sorry maybe these answer engines

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do have to start paying if they want continued access

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to quality data to allow their models to

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continue to improve so i think that there's an argument to

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be to be made that we might be on the cusp of

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maybe in the next year starting to see a marketplace for

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for data scraping to to exist and

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and then that maybe changes the narrative about how sustainable

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it is still to be an independent publisher but a lot

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of interesting we'll come to the future in

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a minute what's been your favorite story that you've

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covered this year and written this year great question

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i think man i have a few of them but i will

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say i think that it's been a really one sort of

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story or trend that like kind of encapsulates a lot

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of sub trends has been i've called this like a coming out year for creator media

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in many ways to find to give you a more encouraging trend thank you for yourself

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specifically i think like whatever your thoughts are on the free press it being

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acquired for 150 million dollars is kind of a watermark moment for like,

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this was a Substack blog four years ago. Yeah. But it's an.

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So I agree with you to a point, but the thing about that is it's still gone. I built this huge thing.

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But actually what we need is daddy to come in and give us 150 million quid and

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go the big, take us back into the big house.

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So I completely agree. I think the free press is on, it's on the spectrum.

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But there are other different success stories that I think reflect different

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possible routes forward.

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I think you've seen like the success of the bulwark or even like a feed me or a dispatch.

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Obsessed. All offering interesting signals. I think one trend that I'm like

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kind of still waiting to write a story about is this new like hybrid model that

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we're seeing between like you

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see like I've seen it specifically with like Alex Heath and Casey Newton,

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but even like Scott Galloway and Kara Swisher a little bit where they're like

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technically independent creators, but then they partner with existing publishers.

00:15:29.444 --> 00:15:33.024
There's even, you could say, I would imagine this is in the future for an Ezra

00:15:33.024 --> 00:15:37.044
Klein or even the odd lots people at Bloomberg are like, there's a thinking

00:15:37.044 --> 00:15:39.204
of rather than going fully solo,

00:15:39.564 --> 00:15:43.444
you kind of go solo, but then you strike a partnership with the publisher where

00:15:43.444 --> 00:15:47.984
they do the sales or the marketing or the distribution, the sort of like unsexy

00:15:47.984 --> 00:15:49.044
business element of it all.

00:15:49.164 --> 00:15:53.824
And then you end up more with this like creator network, a lot of the kind that

00:15:53.824 --> 00:15:56.224
Vox Media is really at work on building.

00:15:56.224 --> 00:15:59.784
And it strikes an interesting balance between you get sort of the benefits of

00:15:59.784 --> 00:16:03.184
being solo, but you get the benefits of having some infrastructure behind you

00:16:03.184 --> 00:16:05.304
to do the unsexy bits of running a business.

00:16:05.564 --> 00:16:07.664
And we have started to see that this year, haven't we?

00:16:08.204 --> 00:16:11.624
Yeah. And I think keeping an eye on that will be really interesting.

00:16:11.864 --> 00:16:15.764
And then sort of like related to that, if I had like one other big trend bucket

00:16:15.764 --> 00:16:20.464
that a lot of things fall into, it's just like the year that video ate the Internet kind of thing.

00:16:20.584 --> 00:16:23.964
I think like you're seeing a lot more publishers embrace social video.

00:16:23.964 --> 00:16:27.164
I think, you know, you've seen the Times and the Washington Post roll out vertical

00:16:27.164 --> 00:16:28.484
video feeds on their app.

00:16:28.624 --> 00:16:33.364
Again, sort of like replicating TikTok with podcasts, which are now vodcasts.

00:16:33.464 --> 00:16:36.444
There's actually some some data coming out on Wednesday.

00:16:36.564 --> 00:16:38.824
And I think us being on this podcast sort of exemplifies it.

00:16:39.024 --> 00:16:42.464
71% of podcasts now have video elements.

00:16:42.824 --> 00:16:47.984
Only 29% are audio only. I don't know how that switched year over year. I finally succumbed.

00:16:48.590 --> 00:16:53.330
I have to imagine it's a pretty dramatic change, especially from two years ago.

00:16:53.330 --> 00:16:59.710
So I think that has had massive implications for how people find new podcasts

00:16:59.710 --> 00:17:01.450
and learn about new creators.

00:17:01.670 --> 00:17:04.330
And then I think the really interesting thing that I wrote a story about a few

00:17:04.330 --> 00:17:09.750
weeks ago was like, I think this positions YouTube as if it needed more advantages

00:17:09.750 --> 00:17:12.750
to be more of a central figure in the media space.

00:17:12.830 --> 00:17:15.830
And I wrote a story that's like, it's going to be the next big media incubator.

00:17:15.830 --> 00:17:17.910
What Substack was over the next few years.

00:17:18.110 --> 00:17:22.350
You're now seeing creators, even like journalism creators, like Taylor Lorenz

00:17:22.350 --> 00:17:26.410
and Tara Palmieri and Dave Jorgensen and Nicholas Carlson say,

00:17:26.590 --> 00:17:30.010
I'm starting a new media business. My homepage is going to be YouTube.

00:17:30.770 --> 00:17:34.930
And so I think that's a really interesting- It's absolutely fascinating.

00:17:34.930 --> 00:17:40.510
We'll look to the future in a minute, but I just want to thank CleanMyMac from

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MapHore for sponsoring this show.

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this show because I'm a big fan of the product.

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Thanks to CleanMyMac for supporting the show.

00:18:57.070 --> 00:19:00.110
So then, let's look ahead to the new year.

00:19:01.679 --> 00:19:06.499
What's the big story of 2026? You don't get to say AI, because that's been the story of 2025.

00:19:07.039 --> 00:19:13.759
I always joke that the metaverse and crypto were the stories of 2024 and then the 1st of January 2025.

00:19:15.039 --> 00:19:18.919
Everyone got changed to talk about AI. What's going to be the new thing in 26?

00:19:20.419 --> 00:19:24.439
I think it continues to be from a media perspective.

00:19:24.719 --> 00:19:27.899
I think the sort of two major extensions of trends that I just talked about,

00:19:28.039 --> 00:19:32.839
the creatorification of media, both in terms of how we talked about these sort

00:19:32.839 --> 00:19:36.359
of creator-publisher partnerships. I think we're gonna see more of those.

00:19:36.519 --> 00:19:40.579
I think we're gonna see publishers treating their top talent more like creators.

00:19:40.599 --> 00:19:46.039
I think they're gonna continue to put more faces on videos and create more social

00:19:46.039 --> 00:19:47.559
video and have more podcasts.

00:19:47.799 --> 00:19:51.679
And basically institutions that were sort of faceless and nameless for a long

00:19:51.679 --> 00:19:55.179
time are increasingly following the lead of influencers and saying,

00:19:55.239 --> 00:19:56.799
we have to lead with personality.

00:19:56.799 --> 00:20:02.839
We have to put people on camera and we're going to see that become more foregrounded in their offerings.

00:20:03.099 --> 00:20:07.319
I do agree with that. Well, I think an interesting corollary to that that ties

00:20:07.319 --> 00:20:11.199
with this sort of videification thing is I'm always trying to think of like.

00:20:11.659 --> 00:20:12.939
Okay, I don't know how it is for you.

00:20:13.059 --> 00:20:16.399
If you look at my feed nowadays, it's a million different videos.

00:20:16.699 --> 00:20:20.379
They're often like very amateur, which is theoretically a draw.

00:20:20.639 --> 00:20:25.879
I think what we're going to start seeing is publishers creating social video

00:20:25.879 --> 00:20:29.919
that more closely resembles what news shows used to look like.

00:20:30.039 --> 00:20:34.459
Or basically, we're going to see the quality of those social video productions

00:20:34.459 --> 00:20:38.299
continue to increase and be produced at a more rapid pace.

00:20:38.579 --> 00:20:41.839
So I think like your social feeds are going to look more like TV.

00:20:42.159 --> 00:20:46.499
And I think that publishers, their contributions to that are going to be those

00:20:46.499 --> 00:20:50.759
products or those outputs are going to look more like premium news television.

00:20:50.979 --> 00:20:56.439
So I think that could be an interesting trend. I'll say on a more depressing note, I think that...

00:20:57.970 --> 00:21:01.550
Consolidation is going to continue. I think specifically lifestyle media.

00:21:02.130 --> 00:21:06.370
If you're a lifestyle media publisher and you don't have some sort of B2B arm

00:21:06.370 --> 00:21:09.130
or you don't have some sort of professional audience that you're serving,

00:21:09.230 --> 00:21:12.310
like I think Vogue's done a relatively admirable job of saying,

00:21:12.450 --> 00:21:14.690
okay, we're going to have Vogue Professional or something like that.

00:21:14.790 --> 00:21:19.710
Like if you are just catering to fashion or lifestyle or health and wellness

00:21:19.710 --> 00:21:22.750
or whatever, that is increasingly the domain of social media creators.

00:21:22.950 --> 00:21:26.630
So unless if you're a publisher, unless you're dominated on social media,

00:21:26.910 --> 00:21:31.090
or unless you are serving an audience that is willing to pay for information,

00:21:31.410 --> 00:21:35.570
I think we're going to see the Condé Nasts and the Hearsts and the others of

00:21:35.570 --> 00:21:40.730
their ilk shudder a lot more of this sort of second tier publications in those portfolios.

00:21:40.850 --> 00:21:45.010
The big ones, there's two to three lifestyle publishers in every category are

00:21:45.010 --> 00:21:46.830
going to make it and they're going to get really big.

00:21:46.910 --> 00:21:51.770
But I think the also-rans are going to really see the end of their road in the

00:21:51.770 --> 00:21:53.950
next year or so. So a little sad.

00:21:54.670 --> 00:22:01.310
For me, I think next year, I agree with you about the creatification of media,

00:22:01.550 --> 00:22:04.790
for one thing. I think we're seeing that already.

00:22:05.110 --> 00:22:09.730
You mentioned Kara Swisher and Scott Galloway, Emily Sundberg, Ezra Klein, I think.

00:22:09.890 --> 00:22:12.910
How many people that watch or listen to Ezra Klein show know he's actually a

00:22:12.910 --> 00:22:13.950
New York Times columnist?

00:22:14.130 --> 00:22:17.430
I would get not as many as know about his podcast.

00:22:17.690 --> 00:22:20.670
I would guess there's a significant proportion of his listeners

00:22:20.670 --> 00:22:23.470
slash viewers that do not

00:22:23.470 --> 00:22:29.310
know he's a new york times columnist i would guess yeah and so i think that

00:22:29.310 --> 00:22:33.850
is going to matter i think personality and personal connection really does matter

00:22:33.850 --> 00:22:40.690
but i also wonder if publishers have actually learned from the past how and

00:22:40.690 --> 00:22:42.450
are we going to see that in 2026.

00:22:43.530 --> 00:22:48.490
Whereby you know we gave up everything to facebook and the infamous pivot to video,

00:22:49.170 --> 00:22:53.970
they gave up everything to the social platforms more broadly oh my god you've

00:22:53.970 --> 00:22:56.270
got to pump everything out on twitter because it's going to send all the links

00:22:56.270 --> 00:22:59.830
this way until elon musk decides he doesn't want to send links your way anymore.

00:23:01.085 --> 00:23:05.945
And I wonder if in 2026, people are going to do a bit more, for example,

00:23:06.085 --> 00:23:11.565
what Nilay Patel has done at The Verge and gone, no, no, if you want The Verge,

00:23:11.645 --> 00:23:13.165
you have to come to theverge.com.

00:23:13.425 --> 00:23:19.885
And we have a dedicated enough fan base in an important enough niche that actually

00:23:19.885 --> 00:23:23.725
we can get away with that. I think it's very hard, and I think it's particularly

00:23:23.725 --> 00:23:25.385
hard for general news outlets.

00:23:25.765 --> 00:23:31.445
And we've seen that already. But I wonder if in next year, people are going to go,

00:23:31.845 --> 00:23:35.805
yeah, we need to be where people are, but also they need to come to us because

00:23:35.805 --> 00:23:40.865
we can't just hand it over to people who can tweak an algorithm at any given moment.

00:23:40.865 --> 00:23:44.505
I hope we see in 26 that people have actually learned from their mistakes.

00:23:44.805 --> 00:23:48.865
Yeah, that's a really interesting. I mean, that has been a constant source of

00:23:48.865 --> 00:23:52.165
tension in the media industry for at least the last decade.

00:23:52.345 --> 00:23:57.065
Do you fish where the fish are or do you try to get the fish back to your pond?

00:23:57.245 --> 00:24:00.385
And I think like a lot of publishers have said, yeah, we'll do both at the same time.

00:24:00.605 --> 00:24:05.385
I think that I actually was like at a panel a few months ago and somebody asked

00:24:05.385 --> 00:24:10.425
me, I was telling this story, the Dallas Morning News got bought by Hearst for like $88 million.

00:24:10.965 --> 00:24:14.805
They'd been independently owned for 140 years. I was talking to their CEO.

00:24:14.805 --> 00:24:17.725
I said you know why sell now and he

00:24:17.725 --> 00:24:20.785
basically said AI and I said

00:24:20.785 --> 00:24:23.965
y'all were around when the internet came to

00:24:23.965 --> 00:24:27.865
be y'all were around when social media came to be you didn't sell then you know

00:24:27.865 --> 00:24:32.425
sort of what's different about AI and the feeling was whereas those two elements

00:24:32.425 --> 00:24:37.385
those those two innovations sort of opened up new markets the advent of AI really

00:24:37.385 --> 00:24:41.965
feels like it's closing down or reducing the size of the open internet.

00:24:42.245 --> 00:24:46.285
And that's the real concern. And so I've always been an advocate for like create

00:24:46.285 --> 00:24:48.485
content that makes people need to come to your website.

00:24:48.725 --> 00:24:50.665
But I think you're starting to see publishers.

00:24:51.462 --> 00:24:56.082
I would say, increasingly kind of face the music and say, it's getting really

00:24:56.082 --> 00:24:59.842
hard for people to come to our website. We're seeing fewer people come to our website.

00:25:00.482 --> 00:25:04.302
We need to go to those places where they are and set up camp there.

00:25:04.462 --> 00:25:06.282
And I think you see this with like the Daily Beast.

00:25:06.462 --> 00:25:11.182
They've like, they treat Substack as a different surface area for them to sell

00:25:11.182 --> 00:25:13.222
into. And they treat YouTube as a different area.

00:25:13.382 --> 00:25:20.002
And the idea of like website as home base is going to, I actually have that is one of my trends.

00:25:20.282 --> 00:25:24.002
I said sort of the open web becomes more showcased than storefront.

00:25:24.182 --> 00:25:29.182
It's where maybe a small percentage of your audience goes, your content lives there.

00:25:29.362 --> 00:25:31.762
It communicates a brand message if someone's looking for you.

00:25:31.862 --> 00:25:36.022
But I see this as like publishers increasingly being, imagine you don't have

00:25:36.022 --> 00:25:38.502
a website, you know, imagine that the internet doesn't exist.

00:25:38.642 --> 00:25:42.562
You're distributed. You have podcasts, you have newsletters,

00:25:42.802 --> 00:25:45.062
you have social, you're on YouTube.

00:25:45.622 --> 00:25:48.762
And you, of course, you still have your website. But the idea, especially

00:25:48.762 --> 00:25:51.962
with the way answer engines are changing consumer habits

00:25:51.962 --> 00:25:54.782
the idea that like you're going to get many people to

00:25:54.782 --> 00:25:57.602
your website needs to be kind of a

00:25:57.602 --> 00:26:00.302
nice to have rather than a necessity for your

00:26:00.302 --> 00:26:05.062
business i suspect you're going to be proven right and i think that's a real

00:26:05.062 --> 00:26:08.882
shame because not just because i grew up in the era of the open internet and

00:26:08.882 --> 00:26:13.902
i like browsing different websites or whatever that's fine i understand i'm

00:26:13.902 --> 00:26:19.722
an outlier but I think it's also giving up and I think it's succumbing to a trend.

00:26:20.922 --> 00:26:24.482
Where we should have learned already not to just succumb to trends now I think

00:26:24.482 --> 00:26:29.922
AI different is different to social media trends because there will be things

00:26:29.922 --> 00:26:35.222
in very pretty much where AI will be transformative at least to a point but

00:26:35.222 --> 00:26:38.602
if you're saying if you're just giving up.

00:26:39.723 --> 00:26:43.343
And say, no, we don't need people to come to our website. We're going to allow

00:26:43.343 --> 00:26:48.163
these other platforms to dictate who sees our work, how they see our work,

00:26:48.263 --> 00:26:51.883
when they see our work. I think you're asking for trouble.

00:26:52.723 --> 00:26:55.343
Yeah. And I will say like the sort of, I didn't mention this,

00:26:55.963 --> 00:27:00.383
it goes unsaid, but it shouldn't. We're seeing a lot of publishers launch apps.

00:27:00.963 --> 00:27:04.803
Yeah. That was literally the subject of my last newsletter. I don't know why

00:27:04.803 --> 00:27:06.103
I haven't brought it up until now.

00:27:06.623 --> 00:27:10.603
But like, that is absolutely a knock on implication of all of this.

00:27:10.743 --> 00:27:13.843
And that's, I don't, I don't think that's, that's not a giving up that's saying,

00:27:13.943 --> 00:27:17.543
okay, people aren't going to go to our website, but if we push them to our app

00:27:17.543 --> 00:27:23.083
and you know, then we control that experience, the circulation rates are way greater.

00:27:23.223 --> 00:27:24.823
The conversion rates are greater.

00:27:24.983 --> 00:27:27.943
So I think I was talking to somebody who works in SEO the other

00:27:27.943 --> 00:27:31.243
day and she was saying it's become a greater priority

00:27:31.243 --> 00:27:34.123
than ever to push people to app because it's

00:27:34.123 --> 00:27:37.543
just getting so hard for people to find you in search so that's

00:27:37.543 --> 00:27:40.843
a way of sort of like splitting the baby a little bit you're maybe saying to

00:27:40.843 --> 00:27:45.223
yourself the website might be a thing in the past but people coming to our destination

00:27:45.223 --> 00:27:48.663
to consume our car that doesn't have to change it just might be app instead

00:27:48.663 --> 00:27:52.223
of website yeah that doesn't also doesn't matter if it's a newsletter archive

00:27:52.223 --> 00:27:55.283
because people can't find you in their inbox I'm just always sceptical.

00:27:55.463 --> 00:28:01.163
And I do think in 2026, people are going to, I hope they're going to plant their

00:28:01.163 --> 00:28:04.803
flag in the ground a bit and say, no, this is where we are.

00:28:05.463 --> 00:28:09.103
Yeah, you can, we post a newsletter on Substack as well.

00:28:09.283 --> 00:28:13.843
Yeah, you can follow our YouTube video feed because it's the best place to publish

00:28:13.843 --> 00:28:16.563
video. But really, you want the full experience.

00:28:17.563 --> 00:28:19.983
Come to us. Yeah, subscribe to the.

00:28:23.903 --> 00:28:28.503
About, as you've hinted at from last year or this year, 2026 is also going to

00:28:28.503 --> 00:28:31.923
have to be about building connections between the audience.

00:28:32.283 --> 00:28:35.103
You can't, one thing is for sure, whatever I think or like.

00:28:35.772 --> 00:28:40.952
You're not in 2026 going to get away with hoping someone puts your search term

00:28:40.952 --> 00:28:45.472
into Google and clicks to your website. You are going to have to build a loyalty,

00:28:45.752 --> 00:28:47.852
an audience and a connection with that audience.

00:28:48.232 --> 00:28:52.472
Well, and I will say like on the website argument, I think a really relevant

00:28:52.472 --> 00:28:53.052
trend that we're seeing.

00:28:53.192 --> 00:28:56.892
So AI gets sort of positioned in so many ways as threat and in many ways it

00:28:56.892 --> 00:29:00.072
is, but it is also opportunity. And you're specifically seeing that.

00:29:00.172 --> 00:29:05.392
I've got a story probably coming out tomorrow about Time Magazine that has struck

00:29:05.392 --> 00:29:08.732
this big partnership over the last year with like a transformation agency.

00:29:09.032 --> 00:29:13.512
They re-architected all their data so that it can be more easily accessed.

00:29:13.512 --> 00:29:17.372
And they've started, that took six months or so. And now they're using that

00:29:17.372 --> 00:29:20.972
data to build out all these bespoke AI products that live on their website.

00:29:21.232 --> 00:29:24.952
They're basically redesigning the site to be far stickier.

00:29:25.092 --> 00:29:31.812
And they've seen a 22% increase in ad revenue, a 53% increase in user engagement,

00:29:31.992 --> 00:29:33.972
nearly a tripling of homepage revenue.

00:29:34.152 --> 00:29:38.252
And I think you've seen this with other sites to the verge, which you mentioned

00:29:38.252 --> 00:29:40.632
did a site redesign specifically to make it stickier.

00:29:40.832 --> 00:29:44.532
I've seen this with apartment therapy. You're seeing this with a lot of leading

00:29:44.532 --> 00:29:48.632
publishers where they're saying Newsweek did a big redesign that's got AI kind

00:29:48.632 --> 00:29:50.072
of infused into every element of it.

00:29:50.232 --> 00:29:54.052
They're saying, yes, we're going to get fewer visitors, but using AI,

00:29:54.052 --> 00:29:58.992
we can do a way better job of determining what this individual user likes very

00:29:58.992 --> 00:30:01.452
quickly and then show them a lot more of that content.

00:30:02.032 --> 00:30:06.352
And whether it's even using like answer engines on site, like USA Today has

00:30:06.352 --> 00:30:11.732
this widget that's created by an ad tech company where, and now Time has this too.

00:30:11.732 --> 00:30:17.192
You're on the site and you can interact with it like a chat gpt but it's only

00:30:17.192 --> 00:30:22.272
giving you answers from the data that the website has kind of thing so it's

00:30:22.272 --> 00:30:25.552
like times giving you so basically we're saying okay a few people are visiting

00:30:25.552 --> 00:30:29.132
websites sure but we can use this technology to make sure that each one of those

00:30:29.132 --> 00:30:31.292
visits counts for a lot more so,

00:30:32.162 --> 00:30:36.922
That makes a lot of sense. My final prediction is I think we're still going

00:30:36.922 --> 00:30:39.922
to see a continuing growth in connection to physical media.

00:30:40.162 --> 00:30:45.722
I think as everything becomes AI-fied and sort of much more slop.

00:30:46.642 --> 00:30:50.142
I think people are going to really want tangible stuff, whether it's the vinyl

00:30:50.142 --> 00:30:54.162
records that are behind me, the magazines that are cluttering up my flat, whatever.

00:30:54.162 --> 00:30:59.502
I think people are going to grow a bigger connection to physical media as well.

00:30:59.502 --> 00:31:02.842
My other prediction is, of course, that Mark Stenberg will be back next year.

00:31:02.922 --> 00:31:06.442
He's not going to escape for so long this time. I'm so grateful to have you,

00:31:06.582 --> 00:31:07.822
Mark. How can people keep up with you?

00:31:08.982 --> 00:31:13.422
You can just find my work on adweek.com. I write the newsletter on Background,

00:31:13.702 --> 00:31:18.382
which you can subscribe to and then follow me on Instagram.

00:31:18.502 --> 00:31:20.902
I'm no longer even promoting my Twitter at this point.

00:31:21.602 --> 00:31:24.882
Wow. Follow me on Instagram. Yeah, Mark Stenberg. It's quite fun.

00:31:24.882 --> 00:31:31.982
And I enjoy seeing your sort of various sporting and eating journeys over on Instagram.

00:31:32.222 --> 00:31:36.082
I'm Charlotte Henry, and you can follow me at Charlotte Henry across almost

00:31:36.082 --> 00:31:37.382
every social media platform.

00:31:37.622 --> 00:31:41.742
And head to the edition.net, yes, the website, where you can read newsletter

00:31:41.742 --> 00:31:44.382
archives, blog posts, see videos and so on.

00:31:44.522 --> 00:31:47.662
And subscribe to the newsletter there, which I hope you do.

00:31:47.882 --> 00:31:50.822
And my latest book, Streaming Wars, is out as well.

00:31:50.902 --> 00:31:53.242
So I hope you pick that up from wherever you get your books.

00:31:53.242 --> 00:31:57.602
Thanks thank you once again mark and i'll see you all well i'll see you all

00:31:57.602 --> 00:32:03.782
next year because this is the last show proper for 2025 there'll be a tv plus

00:32:03.782 --> 00:32:09.222
talk come out but this is the last show like this so have a very merry christmas and a happy new year.

