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Hello and welcome to The Edition podcast. I'm your host, Charlotte Henry.

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I'm not even going to do a big intro because we've got such a lot to discuss today.

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So I'm joined by Jamie Angus, who is the former World Service Director of the BBC.

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He's now a trustee of the Henry Jackson Society as well out in the US.

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You can't imagine what we're going to talk about today. Hello, Jamie.

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Good morning. You just, I mean, it's fairly obvious why we want to be talking about today.

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There's quite a lot What's going on at your former employer,

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Jamie? The hearing was the day before we recorded this on the Monday of the

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week this show comes out, which is great.

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But obviously, what has led to the hearings is the whole scandal,

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if you want to put it like that, this report coming out over BBC Bias.

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So I sort of want to go from the beginning before we get to the hearings yesterday.

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So what did you make, first of all, as this kind of scandal around the memo erupted, first of all?

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I think what I thought in the end was that this was a very serious mistake,

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the Trump editing mistake, but not an existential mistake.

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And it's curious, isn't it, that in the grand history of BBC scandals,

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that the Director General and the Head of News have ended up resigning over

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a narrow issue that while serious is probably not a kind of existential crisis,

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clearly the material in Michael Prescott's memo, and he talked about that yesterday

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in a hearing, went a lot wider than that and asked whether there was institutional bias in the BBC.

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But it's kind of curious, particularly actually with some of the issues in the

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summer over the withdrawn Gaza documentary, which actually editorially seemed

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to me to be more consequential and more serious.

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The BBC senior leadership stayed in place, but it was this issue and the bad

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handling of the issue that led to those high level resignations.

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Right. But isn't the point that it was a sort of straw that broke the camel's

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back. That's how I've seen it anyway.

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I think if it had just been this Trump edit and just been that problem.

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Deborah Turness, Tim Davey, they wouldn't have resigned.

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But it was the run of things, I think, that seemed to be the problem.

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Yes, and I think what became clear in the hearing yesterday was the kind of

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paralysis on the BBC board and the inability of the BBC board to deal with the

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fallout of the issue was actually the thing that pushed Tim and Deborah over the edge.

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They had both clearly exhausted after a series of quite difficult issues to

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deal with over the course of the year and felt that the fact that the board

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couldn't really align about what it wanted was one of the things that pushed them to resign.

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So I've been sort of saying that this is the whole BBC most recent set of issues

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are a governance issue as much as they are an issue about editorial processes, in fact.

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And I think the longer term consequences from what we heard yesterday should

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be about how the BBC is governed as much about the work of the BBC journalists who work there. Right.

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And, well, because people do try and differentiate this, because we often hear

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that thing, there's loads of great journalists working at the BBC trying to do really good work.

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I'm assuming that's something you would endorse, having worked with many journalists

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at the BBC over your time there. Yeah.

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Yeah. Sorry, go on. No, just as it goes higher and higher, things get really messy.

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One might make the case that those journalists are not being served.

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Indeed. I think one of the things that comes out of this, the whole memo and

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the kind of wider set of criticisms is, and I felt this when I was there,

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it is inevitable that even with the outstanding journalists who do work in BBC

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News, the BBC will sometimes make editorial mistakes and it will sometimes do

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things editorially that it comes to regret and feels that it should reframe or retract.

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That is just an inevitable consequence of the sheer amount of output that the

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BBC puts out, bearing in mind that it broadcasts in over 40 languages,

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as well as all the English output and all the other content in English that the BBC makes.

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So I think one of the issues that this has thrown up, which was discussed at

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the hearing yesterday, was how does the BBC respond when it legitimately decides

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that it's made a mistake?

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And in this case, a serious mistake.

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And I think one of the things that this has revealed is that the BBC,

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including its own chairman, doesn't really know the answer to that question.

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It was very clear from the hearings yesterday that Samir Shah has not yet decided

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how the BBC should respond when these kinds of serious errors arise.

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In fact, it sounded like he commissioned an additional review in order to come

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up to some answers to that.

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It's the most BBC thing I've ever heard, I think, actually.

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I mean, I was slightly concerned about it because I can see that if you take

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Samir Shah's evidence on face value, he said, listen.

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My whole of my first year as chairman of the BBC has been occupied with this,

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what he described as culture review.

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You know, had some really serious issues in the fallout, I think,

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from actually the Tim Westwood issue and how on-air talent was kind of protected.

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This is about Hugh Edwards and Tim Westwood, right? And he said,

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I was very, very focused on looking at how the culture of the BBC had protected

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people who'd done wrongdoing and what needs to change in order to protect the

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staff and who work there and the contributors who come to the BBC.

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And the implication was he sort of hadn't really had the chance to think in

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more depth about some of the editorial issues and some of the process issues

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we've just discussed about how those should be governed when there is significant

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disagreement on the board itself.

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I'm not sure that was a really strong case, to be honest, because I think the

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MPs at the hearing were looking to hear the chairman had really gripped this and knew his own mind.

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And although there are lots of good things about Samir Shah,

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it didn't seem to me like he had a very strong set of opinions himself as chairman

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about how these things should run.

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And I think it's interesting that some of the strongest BBC chairmen in the

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past, and I think in my time, I would pick out probably Chris Patton,

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Lord Patton, and Michael Grade, Lord Grade as well, I believe,

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you know, two chairmen of the BBC who absolutely knew their own mind about things

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as well as chairing a board process.

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And for better and for worse, they were able to impose that vision onto the BBC.

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And I think one of the big questions that comes out of this is like,

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does Samir Shah himself feel he has the ability to do that in a period where

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he has to appoint a new director general and secure charter review in the next

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sort of, you know, six to 12 months?

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That's a really, really tall order, I think. It is.

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I think, again, let's take a step back because there's a lot,

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a lot to unpack from your answers, which are fascinating.

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I think, first of all, particularly for our American listeners,

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we need to sort of unpack the structure of the BBC, because it's not like any

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other media institution, really.

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And I think some of that goes to the heart of what the drama has been here, right?

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So just to remind people, some of the issues that came up in that Michael Prescott

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memo that got leaked, there was talk of...

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First of all, there was the Donald Trump edit, which made it look like Trump

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had directly called for a march on the Capitol when actually the two quotes

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put together were about 45 minutes apart, weren't they? Something like that.

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Now, as listeners and readers will know, I have about zero time for Donald Trump and his politics.

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And I think I could make the case that that speech that this was taken from did push the crowd.

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But what clearly didn't happen was those two sentences said at the same time.

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That is not what happened.

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And there was nothing done editorially or in production to make it clear that

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those two things were said at separate points in this speech. One.

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Two, the Michael Prescott memo points out there has been issues of bias,

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let's put it that way, around coverage of the Israel-Hamas war,

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of issues around transgender people.

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So those have been big, hot topics within the media and there were concerns

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around bias around that and perhaps not doing the best journalism, if I can put it that way,

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around such important and interesting topics because of...

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Well, he sort of put it as biased, didn't he? But there's other ways we could put that.

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So there was a lot going on there. And for me, I repeat what I said earlier,

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the Trump thing felt like the straw that broke the camel's back.

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And I would say also that because there's been deep frustrations with the BBC

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for a long time, as you know well, Jamie, there's always been frustrations with the BBC.

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A lot of the time, it's been your fault, I believe, hasn't it, for a good part of time.

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And so the BBC is always going to receive a higher level of criticism in the

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UK than other media organisations because of the, well, we pay for it thing with the licence fee.

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And that is why my rather rambling answer, that the structure that you're describing is different.

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There is a chairman and a separate, a board that's meant to be independent.

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There is the director general who who's sort of, as I understand it,

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the kind of person, he's like the CEO of the BBC, right? The DJ.

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He's the person that runs it day to day.

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This huge organisation, I mean, you explained how many languages it goes out

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in, goes out in a huge number of countries.

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I mean, talking of the language, of course, one of the issues that came out

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of the Michael Prescott memo,

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was BBC Arabic and the way it was distorting stories around the Israel-Hamas

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war and the way they were reporting those stories.

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So there's a huge amount for the Director General to take on.

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They have this chairman and separate board as a sort of overseeing entity.

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And they have the charter that you were talking about, this review that comes up periodically,

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and decides whether the licence fee is going to stay the same,

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whether the whole structure is going to change, what the cost it will be,

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all sorts of things that has to renew the BBC's charter so that it can exist. And.

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You're right that that is all on the plate now. And the BBC and Samir Shah himself

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have to decide if he is the right person to deal with these highly,

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highly political issues.

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And I'm slightly getting the impression from you, you're unconvinced.

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I thought it was an unconvincing performance. And I think the chairman of Caroline

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Dylidge said on the BBC last night that she and the committee found it unconvincing.

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She's the chair of the Culture, Media and Sport Committee. She's the chair of

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the Media Committee. So, yeah, you've raised a lot of issues there.

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So you say the BBC board is independent, but it's not really clear that it is independent.

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So this is one of the really big issues about the BBC, how the BBC governs itself.

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It is never really clear whether the board is primarily there to defend the

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BBC and its existence when things go really badly wrong or to be a quasi-independent.

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Overseer of the BBC, including kind of interrogating it and criticising its editorial output.

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Of course, it has to do both things. The BBC board has an independent chair,

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it has a small number of independent directors, but it also has senior executives

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from the BBC, including the director general and I believe the director of news as board members.

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So it's what you might call a unitary board rather than an actually independent board.

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And actually, my view is that There was a period when the BBC board was separate

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and wholly independent, and

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I felt that that was a better and more appropriate way to govern the BBC.

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I'm also finding curious that the BBC chairman is a part-time job at uni.

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This is an organisation of, what, 20,000 staff across more than 50 countries,

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broadcasting in 40 languages, encompassing public service and commercial activity.

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Its chairman works three days a week.

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For my money, that's not the right arrangement. My personal view is the BBC

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should have a full-time executive chairman, and the executive chairman should

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be responsible for some of the longer-term thinking about the BBC,

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including a lot of the nuts and bolts of charter review, which is coming up,

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and we should talk specifically about that.

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And then the DG of the BBC, the director general of the BBC,

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should be the editor-in-chief and the day-to-day CEO, effectively,

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of the organisation, but should

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focus a bit more on the kind of immediate issues in front of him or her.

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That would be a better governance system, in my view.

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But the government has had some time to think about this, and I get no sense

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from Lisa Nandy that she's about to change that governance structure in the next six to 12 months.

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She's, of course, the culture secretary. And that's another weird part of the

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whole structure, right? Because the culture secretary.

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We know, has meaningful conversations, let's put it that way,

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and discussion and overseeing of the BBC, but again, has to pretend to be wholly independent.

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The Culture Secretary cannot be seen to be interfering with the BBC. Yes.

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And, you know, there is no, let's be honest, there's no perfect structure for

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this because clearly the BBC is not a state broadcaster.

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It is not an arm of the government, as many public broadcasters are in other countries.

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The BBC is a corporation, an independent corporation with a royal charter.

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But as one of such cultural significance in the UK and globally,

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there clearly need to be some touch points where the government at least oversees

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the governance of the BBC, right?

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And there is no perfect way of doing this. And a lot of the discussion about

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the BBC board has been to do with so-called political appointees on the board.

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You heard Robbie Gibb, who's a former Conservative Communications Director in

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Downing Street and, as he pointed out yesterday, a very long-standing BBC.

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You know, 25-year BBC news career.

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Prior to that, there's been a lot of commentary about Robbie Gibbs' role on the board.

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He made a spirited defence of himself, I thought, at the committee hearing yesterday,

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saying that he loved the BBC and had no interests other than to try and protect its integrity.

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His critics would tell you otherwise.

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There is an issue about how do you assemble a group of people on the BBC board

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with a diverse set of editorial views?

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And then what do you do when they fundamentally disagree? And this was a question

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that Samir Shah, the chairman, posed yesterday at the hearing.

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He said, I haven't got the answer yet about what we do when the board is effectively

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paralysed by disagreement.

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And I thought that was a moment where I thought that was not a strong answer,

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because as the board chair,

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anyone who's ever been on a board or chair the board, that's your job that's

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where you earn your money is you have to find a way through when there is broadly

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it's your job to navigate through that that's literally why you're there yeah

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sort of the clues in the title.

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But look, he raises an important point,

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which clearly was a lot of disagreement on the board about the kind of tactics

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of how to deal with BBC News apologising for something that everyone broadly

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now concedes that they got wrong.

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But I think, you know, the question for me is that he himself said they,

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you know, these issues were raised in January, February and May of this year.

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And it took until November for the BBC to actually kind of grind.

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It took all that time and a sort of protracted public scandal for the BBC to

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grind to some kind of resolution.

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That is clearly a dysfunctional board and board process.

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And that was very evident. And it feels to me like that ought to be fixed,

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particularly in a time when the board's about to select a new director general

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and try and renew the BBC's 11-year royal charter.

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There's so much more I want to talk to you about. I wanted to work your time in the BBC.

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I want to talk to you about where you think the corporation goes forward.

00:16:19.284 --> 00:16:23.004
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00:18:33.536 --> 00:18:37.876
I'm back with Jamie Angus, who is a former senior figure at the BBC.

00:18:38.976 --> 00:18:43.156
You've done quite a lot of jobs in the BBC. Just remind our listeners about that.

00:18:43.336 --> 00:18:46.536
I was a BBC News producer for a very long time.

00:18:46.656 --> 00:18:50.056
I was the editor of the Today programme. I was the director of the BBC World

00:18:50.056 --> 00:18:52.736
Service, the wonderful World Service, which we should talk about a bit.

00:18:52.736 --> 00:18:57.496
And I was a BBC senior news manager for a bit right at the end of my career,

00:18:57.756 --> 00:19:00.156
so kind of worked right across the waterfront.

00:19:01.382 --> 00:19:06.242
Yes. So the Today programme is like the headline radio show in the UK.

00:19:06.542 --> 00:19:13.802
That 10 past 8am interview slot is one that politicians will literally fight bare knuckle to get.

00:19:13.982 --> 00:19:17.642
Even in this modern world, I think it still holds some kind of prestige and

00:19:17.642 --> 00:19:19.182
significance. So you were working on that.

00:19:19.802 --> 00:19:23.182
You've just talked about the wonderful World Service. Go on then.

00:19:23.662 --> 00:19:27.662
Why is it still wonderful? Well, I think one of the things that came out of

00:19:27.662 --> 00:19:31.882
this set of hearings, actually, which is that you know, everyone is concerned

00:19:31.882 --> 00:19:37.102
that the future of the World Service gets kind of chewed up in this overall period of turmoil.

00:19:37.402 --> 00:19:40.762
And the funding of the World Service is under a great deal of pressure,

00:19:41.082 --> 00:19:45.762
partly because of a reduction in license fee revenue, for reasons we can discuss.

00:19:46.082 --> 00:19:50.162
But also because the government's own ability to, the government also puts money

00:19:50.162 --> 00:19:51.222
in to support the World Service.

00:19:51.342 --> 00:19:55.242
And that money has also been under pressure because of overall pressures on public spending.

00:19:55.482 --> 00:19:58.282
We've got the budget coming up right tomorrow when we're recording this.

00:19:58.402 --> 00:20:00.122
So this is a very current issue.

00:20:00.302 --> 00:20:05.662
But if you look across the piece, I'm sitting in New Hampshire in the United States.

00:20:05.942 --> 00:20:14.482
Here, President Donald Trump has dismantled the entirety of America's international news broadcasting.

00:20:14.682 --> 00:20:18.722
So the Voice of America family of broadcasters, which people may be familiar

00:20:18.722 --> 00:20:22.502
with, has effectively just been shuttered overnight, had all their money taken

00:20:22.502 --> 00:20:27.302
away, has left an enormous gap in the kind of international firmament.

00:20:27.502 --> 00:20:29.042
And the BBC World Service is

00:20:29.042 --> 00:20:33.542
one of the last standing, creditable international broadcasters at scale.

00:20:33.702 --> 00:20:37.702
And it's incredibly important, therefore, that both the BBC and the government

00:20:37.702 --> 00:20:42.242
seize this moment to really consolidate and secure its future rather than allowing

00:20:42.242 --> 00:20:44.482
it to drift into further uncertainty.

00:20:44.722 --> 00:20:49.062
I think something that people underestimate as well is the soft power of the

00:20:49.062 --> 00:20:55.042
BBC broadly and the World Service specifically. It is a huge piece of diplomatic

00:20:55.042 --> 00:20:57.702
and political soft power for the United Kingdom.

00:20:58.422 --> 00:21:03.242
And I think sometimes that is overlooked. Was that your experience whilst working there?

00:21:04.389 --> 00:21:08.109
Yeah, of course. And, you know, whichever, I've been working in the Gulf for,

00:21:08.389 --> 00:21:11.449
you know, the last three and a half years and I'm now in the US and,

00:21:11.609 --> 00:21:17.229
you know, both of those regions, the BBC still has enormous salience and respect, actually,

00:21:17.449 --> 00:21:20.849
even amongst people who, you know, you talk to kind of Gulf opinion formers

00:21:20.849 --> 00:21:25.309
who are often criticised on the BBC's airwaves, but still have enormous respect

00:21:25.309 --> 00:21:28.949
for it and are concerned that sort of,

00:21:29.069 --> 00:21:31.209
you know, increasing cuts to

00:21:31.209 --> 00:21:34.289
the BBC World Service have made it less and less present in that market.

00:21:34.389 --> 00:21:37.809
Here in the United States, of course, the BBC is very highly valued.

00:21:37.929 --> 00:21:41.829
The BBC has put up a paywall on its website in the United States.

00:21:41.969 --> 00:21:45.949
So I now have to pay a subscription if I want to view more than a couple of

00:21:45.949 --> 00:21:47.689
news stories on the BBC News website.

00:21:47.929 --> 00:21:50.449
That's interesting and probably a wise thing to do.

00:21:50.709 --> 00:21:52.349
It shows that how people in North

00:21:52.349 --> 00:21:55.849
America are prepared to pay for the BBC because they like it so much.

00:21:57.124 --> 00:22:01.184
All different markets in the world, whether it's giving away free in Myanmar

00:22:01.184 --> 00:22:06.484
and on shortwave to people in North Korea, or whether you charge people in North America for it.

00:22:07.144 --> 00:22:11.464
The BBC World Service, but also the wider selection of BBC drama,

00:22:11.884 --> 00:22:16.524
sport news, factual programming is just incredibly valued.

00:22:16.604 --> 00:22:20.484
And as you say, an excellent value for money in terms of UK soft power at a

00:22:20.484 --> 00:22:23.664
time when countries like the United States, which is completely withdrawn from

00:22:23.664 --> 00:22:25.704
that space. I say it every time.

00:22:26.004 --> 00:22:29.344
I talk about the BBC and I suspect my listeners are getting very bored of it,

00:22:29.424 --> 00:22:30.984
but I'm happy to reiterate it.

00:22:31.224 --> 00:22:36.784
I have always said for a very long time that the BBC licence fee is the best

00:22:36.784 --> 00:22:38.624
value for money subscription I have.

00:22:38.764 --> 00:22:41.904
And I don't just mean looking at the iPlayer, watching the TV.

00:22:42.204 --> 00:22:46.884
I'm talking about how for most of my Saturday, BBC Radio 5 Live is on in the background.

00:22:47.424 --> 00:22:51.824
I'm talking about how I wake up every morning with Nick Grimshaw and BBC 6 music.

00:22:52.624 --> 00:22:55.404
You know those the same money goes to

00:22:55.404 --> 00:22:58.484
all of those things i understand why people object

00:22:58.484 --> 00:23:01.384
and you know don't like this kind of what they perceive

00:23:01.384 --> 00:23:04.224
as a tax but i will always reiterate that pound for found

00:23:04.224 --> 00:23:07.224
it's pretty much the best value subscription

00:23:07.224 --> 00:23:09.864
i have and yet i am horrified by some of

00:23:09.864 --> 00:23:15.704
the things that came out by the telegraph in that michael prescott memo i don't

00:23:15.704 --> 00:23:19.064
think you know if you've read my newsletters on it i was increasingly horrified

00:23:19.064 --> 00:23:25.364
by the way the bbc covered Israel's war against Hamas in Gaza and hearing about

00:23:25.364 --> 00:23:29.444
what was going on at BBC Arabic only enhances that horror for me.

00:23:30.847 --> 00:23:33.807
So how did we get to that point?

00:23:34.027 --> 00:23:37.207
Because it can't just be about the editorial structures you were talking about

00:23:37.207 --> 00:23:39.447
earlier, or the governance structures.

00:23:39.727 --> 00:23:43.827
Is there a fundamental editorial problem and a cultural problem within the BBC?

00:23:44.947 --> 00:23:48.047
I just want to ask answer specifically about bbc

00:23:48.047 --> 00:23:51.007
arabic because i've given a lot of thoughts i was obviously responsible

00:23:51.007 --> 00:23:55.627
for the word service director but actually with the additional perspective of

00:23:55.627 --> 00:23:59.287
having been based in the uae and saudi in a kind of arabic working for an arabic

00:23:59.287 --> 00:24:03.407
news broadcaster actually for the last three years or so there is i think it's

00:24:03.407 --> 00:24:06.307
really important for people to understand who don't i'm not an affluent arabic

00:24:06.307 --> 00:24:09.407
speaker by the way but this is my my perception of the market.

00:24:09.567 --> 00:24:15.867
There is a series of cultural expectations in Arabic news about how issues around

00:24:15.867 --> 00:24:21.587
Israel and the Palestinians are reported that, bluntly, I think are in conflict

00:24:21.587 --> 00:24:24.047
with the BBC's editorial guidelines.

00:24:24.687 --> 00:24:27.747
And the BBC faces a pretty stark editorial choice.

00:24:27.927 --> 00:24:33.407
I think the BBC Arabic has tried to ride both horses in the sense that it wants

00:24:33.407 --> 00:24:40.147
people to consume its output and find familiar Arabic language describing these complex set of issues.

00:24:40.527 --> 00:24:43.767
And it wants to kind of attract an audience, understandably,

00:24:43.847 --> 00:24:45.507
because public money is being spent on it.

00:24:45.607 --> 00:24:49.607
But I'm beginning to come to the view, I think, that that is no longer consistent

00:24:49.607 --> 00:24:54.787
with the BBC's mission on impartiality and how it treats Israel and Palestine

00:24:54.787 --> 00:24:56.867
question, and specifically the Gaza war.

00:24:56.987 --> 00:25:01.407
Because it's clear to me that there are cultural expectations in the Arabic-speaking

00:25:01.407 --> 00:25:04.347
world about the kind of language that's used.

00:25:04.767 --> 00:25:09.927
So just to take two issues, there are issues of language around do you use Arabic

00:25:09.927 --> 00:25:13.307
words that might equate to genocide or not?

00:25:13.407 --> 00:25:16.247
And then there are a set of issues which are picked out in the Michael Prescott

00:25:16.247 --> 00:25:19.087
report about the length at which you quote

00:25:19.495 --> 00:25:27.235
Gaza, Hamas ministry spokespeople, for example. These are just two trivial but important examples.

00:25:27.395 --> 00:25:29.235
I don't think they're trivial at all, actually. Right.

00:25:29.455 --> 00:25:33.195
And Arabic news audiences have an expectation, right, you're wrong,

00:25:33.275 --> 00:25:34.835
that they will just read.

00:25:35.095 --> 00:25:40.795
You know, in reporting or listen to in broadcast reporting, kind of lengthy

00:25:40.795 --> 00:25:45.795
representations and statements from Hamas-supported organisations inside Gaza.

00:25:46.015 --> 00:25:50.495
And that's just a sort of customary issue, and I'm not really saying whether it's right or wrong.

00:25:50.615 --> 00:25:55.275
But it's very clear to me that that is inconsistent with the BBC's editorial

00:25:55.275 --> 00:26:00.155
guidelines, and that it is not possible for the BBC to have two sets of editorial

00:26:00.155 --> 00:26:02.795
guidelines, one in Arabic and one in English.

00:26:03.015 --> 00:26:06.995
And I think BBC Arabic is approaching a kind of choice moment where,

00:26:07.175 --> 00:26:11.975
and I think the only conceivable path actually is that BBC Arabic cleaves to

00:26:11.975 --> 00:26:16.435
exactly the same set of rules that the BBC English output does.

00:26:16.635 --> 00:26:20.735
And it may have to sacrifice some audience because of that, because there are

00:26:20.735 --> 00:26:25.695
members of the Arabic speaking audience who will be upset by the fact that the

00:26:25.695 --> 00:26:27.795
BBC is doing this and will stop using it.

00:26:27.915 --> 00:26:33.715
And I think it's no longer possible for the BBC in BBC Arabic to try and have it both ways.

00:26:33.875 --> 00:26:38.675
And that's my considered view based on actually being present in the market now for a few years.

00:26:38.775 --> 00:26:43.275
And I think it was a legitimate question that was raised by the Michael Prescott memo.

00:26:43.515 --> 00:26:47.435
And I think it's something that even Samir Shah himself said that they had commissioned

00:26:47.435 --> 00:26:50.755
additional work on this and changed the structure of BBC Arabic to make some

00:26:50.755 --> 00:26:51.955
changes along those lines.

00:26:52.135 --> 00:26:56.515
I'm thrilled to have you on the show because of your experience of this whole

00:26:56.515 --> 00:26:58.475
part of the debate, because it was a big one.

00:26:58.615 --> 00:27:03.015
My contention to you, though, is, and I'm thrilled you outlined the specifics

00:27:03.015 --> 00:27:08.075
around BBC Arabic, but I suspect, in fact, I know I don't suspect.

00:27:08.375 --> 00:27:12.935
If you spoke to, for example, large members of the British Jewish community,

00:27:13.315 --> 00:27:14.835
senior figures in that community...

00:27:15.471 --> 00:27:18.331
They would say, okay, well, that's one thing. And thank you very much for explaining

00:27:18.331 --> 00:27:20.231
that, Jamie, about BBC Arabic.

00:27:21.131 --> 00:27:24.311
What about the report on the BBC 10 o'clock news in English?

00:27:24.451 --> 00:27:26.231
I think that's, yeah, I mean, I think that's right.

00:27:26.391 --> 00:27:30.911
And I think there is, let's agree that this issue is going to remain highly

00:27:30.911 --> 00:27:32.311
contentious and divisive,

00:27:32.491 --> 00:27:36.571
and it's going to attract very strong views on both sides, because let's remember

00:27:36.571 --> 00:27:41.391
that the BBC is equally under pressure from a group of, you know,

00:27:41.471 --> 00:27:46.131
groups of Palestinian activists who feel that the BBC is biased in the opposite direction.

00:27:46.311 --> 00:27:50.291
I don't say that because I don't like this argument that both sets of people

00:27:50.291 --> 00:27:52.411
are complaining, therefore the BBC is in the right place.

00:27:52.551 --> 00:27:56.131
I think that's wrong. I was going to ask you about that. That's a defence that's often made, isn't it?

00:27:57.171 --> 00:28:00.571
The BBC has to, in a sense, it does have to listen to criticism,

00:28:00.571 --> 00:28:05.351
but it also has to work out from first principles the rules that govern its

00:28:05.351 --> 00:28:09.631
coverage of this unbelievably hotly disputed issue and then follow those rules.

00:28:09.831 --> 00:28:13.291
And if it gets them wrong, then it has to, in the case, for example,

00:28:13.391 --> 00:28:17.611
of the Gaza documentary over the summer, be prepared to admit that and correct quickly.

00:28:17.831 --> 00:28:20.911
So the BBC does have to listen to its audience, but in a sense,

00:28:21.011 --> 00:28:24.911
it also has to tune out some of the noise and operate from first principles.

00:28:25.091 --> 00:28:28.911
And I broadly pay tribute to people at the BBC who do this every day,

00:28:29.111 --> 00:28:33.691
because on this most hotly contested issue, BBC is producing enormous amounts

00:28:33.691 --> 00:28:37.051
of output and much of it is of excellent quality.

00:28:37.211 --> 00:28:40.711
I might push back and dispute that, but I understand the point you're making. And.

00:28:41.803 --> 00:28:47.063
The documentary was one thing. For many people, that documentary was symptomatic of a wider problem.

00:28:47.823 --> 00:28:54.503
I mean, how on earth do you get a documentary in which the narrator, the child narrator,

00:28:54.903 --> 00:28:58.783
turns out to be the son of a relatively

00:28:58.783 --> 00:29:03.823
senior Hamas figure and not tell anyone, not tell your audience?

00:29:04.143 --> 00:29:07.283
That's bizarre. As I say, night after night,

00:29:07.463 --> 00:29:10.923
there were people who were horrified by the way a number

00:29:10.923 --> 00:29:14.463
I'm not going to pick out an individual of very senior BBC

00:29:14.463 --> 00:29:17.503
correspondents were reporting on the war the language they

00:29:17.503 --> 00:29:20.263
were using the sources they were using the framing they were

00:29:20.263 --> 00:29:23.163
using that you know

00:29:23.163 --> 00:29:27.603
we all have to be aware of our own biases and opinions right 100% just because

00:29:27.603 --> 00:29:30.783
I don't like something doesn't mean it's wrong just because I disagree with

00:29:30.783 --> 00:29:37.283
something doesn't mean that person is wrong but equally there was it felt like

00:29:37.283 --> 00:29:42.983
there was a cultural issue that really horrified a lot of people.

00:29:43.903 --> 00:29:46.363
I'm thinking about right at the start of the war, for example,

00:29:46.483 --> 00:29:51.843
where one correspondent saw there was an explosion at a hospital in Gaza.

00:29:52.203 --> 00:29:56.783
A correspondent whose name I can't remember said, well, I can't see how it can

00:29:56.783 --> 00:29:58.643
be anything else but an Israeli bomb.

00:29:58.943 --> 00:30:02.423
It turned out to be a missile that was meant to be fired into Israel that had

00:30:02.423 --> 00:30:04.783
fallen short, for example.

00:30:05.903 --> 00:30:11.123
And those kind of initial reactions really troubled a lot of people, including me.

00:30:11.883 --> 00:30:16.703
Do you not think there is some kind of systematic issue there or cultural issue?

00:30:18.082 --> 00:30:22.462
I don't actually. I think that there have been significant mistakes,

00:30:22.642 --> 00:30:28.362
but I think they're mistakes that come against a background of people trying

00:30:28.362 --> 00:30:31.642
to do their best in very, very difficult circumstances.

00:30:32.122 --> 00:30:36.362
So I think either you've got people reporting on the ground in situations of

00:30:36.362 --> 00:30:40.542
imperfect information based in some senses on kind of biased and unreliable

00:30:40.542 --> 00:30:42.102
sources, or alternatively,

00:30:42.202 --> 00:30:45.462
you've got people trying to make sense of events from London who haven't necessarily

00:30:45.462 --> 00:30:47.282
lived and experienced the region.

00:30:47.562 --> 00:30:52.042
And I think the best of the BBC, the best reporting the BBC does often comes

00:30:52.042 --> 00:30:53.682
from people who have lived and worked

00:30:53.682 --> 00:30:57.182
in the region and at least have that additional sense of perspective.

00:30:57.442 --> 00:31:00.582
But equally, I hear you saying that actually some of those figures,

00:31:00.782 --> 00:31:03.682
you also don't like some of the things they say on air.

00:31:03.802 --> 00:31:10.062
But I do feel that this issue has become so hotly contested that we're never

00:31:10.062 --> 00:31:13.302
going to get to a position where everyone is happy with all of the output,

00:31:13.582 --> 00:31:18.982
and that the BBC really needs to focus, as I said, on sticking to its principles

00:31:18.982 --> 00:31:21.482
about the language and framing of reporting.

00:31:21.702 --> 00:31:25.722
I think you're right to raise framing, actually, because increasingly bias,

00:31:26.042 --> 00:31:30.722
so-called bias, is actually about story selection and framing,

00:31:30.942 --> 00:31:34.922
rather than it is about sort of naked pushing one party above the other.

00:31:34.922 --> 00:31:37.462
100%. I think it's much more insidious. Right.

00:31:37.842 --> 00:31:41.782
And it's like, which I really found this towards the end of my time at the BBC

00:31:41.782 --> 00:31:46.262
as an editor, it was like accusations of bias were much more around just which

00:31:46.262 --> 00:31:50.402
stories you chose and how you framed them than they were about, oh,

00:31:50.762 --> 00:31:54.222
you know, you had too much sync of a conservative and not enough sync of somebody

00:31:54.222 --> 00:31:55.462
from the Labour Party. Yeah.

00:31:56.198 --> 00:32:00.858
Trivial. It was always much more these issues about just even in picking this

00:32:00.858 --> 00:32:05.878
story and narrative, you have committed an act of institutional bias.

00:32:06.038 --> 00:32:10.198
And I think that is much more where the action is. And it's much harder,

00:32:10.378 --> 00:32:13.098
actually, to navigate through that day by day.

00:32:13.218 --> 00:32:16.798
I have some views on that, actually, just briefly. I think a lot of this is

00:32:16.798 --> 00:32:23.858
to do with the rise of digital news and the importance of first-person storytelling in digital news.

00:32:24.118 --> 00:32:29.298
So the very format of digital news tends to be around here is a person and here

00:32:29.298 --> 00:32:31.658
is their inspiring and uplifting story.

00:32:31.878 --> 00:32:36.118
That is how a lot of digital content is written and produced.

00:32:36.118 --> 00:32:41.898
That format in itself is quite problematic for a public service broadcaster

00:32:41.898 --> 00:32:45.818
that is committed to fair and impartial reporting.

00:32:46.078 --> 00:32:48.938
And I think we could do a whole program just on this issue, but I'm just saying

00:32:48.938 --> 00:32:53.798
this is a structural issue to do with how the news is reported in the digital world.

00:32:53.918 --> 00:32:56.338
That poses an increasing issue.

00:32:56.478 --> 00:32:59.578
So it might be, I'm a refugee in Gaza.

00:32:59.818 --> 00:33:05.758
I'm living in a tent. Here's my daily life. That would be a popular and possibly

00:33:05.758 --> 00:33:09.598
journalistically valid thing for the BBC to do. In and of itself, that's not a problem.

00:33:09.978 --> 00:33:13.938
Exactly. Or it might say, I'm a trans woman athlete.

00:33:14.178 --> 00:33:19.138
Here is my story of how I struggled and won through and got recognition.

00:33:19.358 --> 00:33:23.838
And you can immediately see both of those pieces are potentially journalistically

00:33:23.838 --> 00:33:28.258
valid, but also intensely problematic in a hotly contested set of issues.

00:33:28.258 --> 00:33:33.598
And, you know, absolutely journalistically valid those as first-person stories.

00:33:34.018 --> 00:33:37.638
You know, probably two things I would be interested in watching or reading.

00:33:38.833 --> 00:33:43.413
But yes, then there's a framing and it's much more complicated than saying,

00:33:43.613 --> 00:33:48.613
oh, the Tory MP got seven minutes, the Labour MP only got four with Laura Koonsberg.

00:33:48.773 --> 00:33:51.193
It's much more complicated. Yes, I think that's absolutely right.

00:33:51.553 --> 00:33:53.853
I mean, I could keep talking to you about all this for ages.

00:33:54.493 --> 00:33:58.373
But just to wrap up a couple of things, some people have put it to me,

00:33:58.493 --> 00:34:02.173
and again, I think it's a pretty fair argument that some of these problems that

00:34:02.173 --> 00:34:08.433
you and I have talked about come from the loss of quite senior journalists within the BBC.

00:34:09.273 --> 00:34:14.933
There's been a bit of a whole sort of quite significant tear that has been taken

00:34:14.933 --> 00:34:18.713
out of the BBC just because of cuts to the corporation.

00:34:18.913 --> 00:34:23.213
And some of those people might have been able to stop some of these problems before they went to air.

00:34:23.593 --> 00:34:28.413
Do you think that's a fair point? Yeah, I think it is a fair point that it has happened.

00:34:28.873 --> 00:34:33.133
I'm not sure that any of these individual issues were necessarily rooted to

00:34:33.133 --> 00:34:34.973
that. But I do think it is a good point.

00:34:35.113 --> 00:34:39.413
The BBC generally and BBC News in particular has been making what feels like

00:34:39.413 --> 00:34:45.073
an endless cycle of savings over the last decade, mainly driven by fall in license fee revenue.

00:34:45.393 --> 00:34:50.493
And this has been difficult, dispiriting and disruptive for the BBC Newsroom.

00:34:50.613 --> 00:34:56.713
And it has resulted in a hollowing out of deep expertise in some subject areas

00:34:56.713 --> 00:35:01.733
and also some kind of layers of oversight about how material would be checked.

00:35:01.953 --> 00:35:06.813
And it is frustrating to me that having been part of a leadership team that

00:35:06.813 --> 00:35:08.413
had to implement some of those savings.

00:35:09.090 --> 00:35:11.910
Then sometimes the BBC board turns around and says, oh, well,

00:35:11.970 --> 00:35:15.370
actually, we better put an additional editorial role about, you know,

00:35:15.470 --> 00:35:19.470
kind of editorial standards and oversight of long form journalism back into

00:35:19.470 --> 00:35:21.670
place because of this thing that went wrong.

00:35:21.810 --> 00:35:25.250
And we're like, well, you could have just not told us to take it out in the first place.

00:35:25.410 --> 00:35:28.290
And maybe we'd have all saved ourselves an awful lot of time and effort.

00:35:28.290 --> 00:35:33.650
And again, I think I've said this to you on the pod before, a year ago when I was last on,

00:35:33.730 --> 00:35:39.690
but I feel that the BBC is pushing too many of the cuts into areas of its absolute

00:35:39.690 --> 00:35:43.330
core activity that are unique to public service broadcasting,

00:35:43.430 --> 00:35:45.490
including news and local radio,

00:35:45.710 --> 00:35:49.090
for example, actually, which is something that I feel strongly about that is

00:35:49.090 --> 00:35:50.410
unique that the BBC does.

00:35:50.410 --> 00:35:55.470
The BBC has convinced itself that it needs to protect the video content that

00:35:55.470 --> 00:35:58.650
drives use of iPlayer, which broadly I can understand.

00:35:58.870 --> 00:36:03.010
But one of the consequences of that is that too many of those savings are being

00:36:03.010 --> 00:36:07.770
pushed into highly editorial sensitive areas in BBC News, including the World Service,

00:36:07.910 --> 00:36:11.710
and that there is a price to be paid for that and that some of these editorial

00:36:11.710 --> 00:36:14.070
mistakes are probably linked to those savings.

00:36:15.419 --> 00:36:18.719
Jamie, it's been fascinating. Where can people keep up with you if they want?

00:36:19.999 --> 00:36:24.539
Well, you can follow me on LinkedIn most of the time if you just search for Jamie Angus.

00:36:24.739 --> 00:36:29.959
I post occasional rants and thoughts about media generally on there and a fascinating

00:36:29.959 --> 00:36:33.079
time in the media in the United States and of course in the UK.

00:36:33.299 --> 00:36:36.359
We've got all this kind of interesting consolidation going on,

00:36:36.559 --> 00:36:41.319
you know, fewer and fewer owners and compacting newspapers and media organisations together.

00:36:41.579 --> 00:36:44.959
Just a fascinating time outside of the BBC and you're just one of the reasons

00:36:44.959 --> 00:36:49.539
why this question of the BBC's charter review sorting out the next 11 years

00:36:49.539 --> 00:36:52.859
of the licence fee or other ways of paying for it is incredibly important and

00:36:52.859 --> 00:36:55.419
maybe we'll come back in a few months and talk about that

00:36:55.839 --> 00:37:01.299
would be a good special to do I hope so, I really hope you can't take the editor

00:37:01.299 --> 00:37:04.679
you can stop the guy being an editor you can't take the editor out of him,

00:37:04.739 --> 00:37:06.279
look at that he's already planning programming.

00:37:07.319 --> 00:37:12.139
It's great to have you on Jamie Charlotte Henry of course and you can follow me at Charlotte A.

00:37:12.219 --> 00:37:15.959
Henry across most of social media head over to theedition.net

00:37:15.959 --> 00:37:19.179
where you can listen and watch previous episodes you

00:37:19.179 --> 00:37:22.359
can read previous newsletters and you

00:37:22.359 --> 00:37:25.659
can sign up on there if you check out the right time there might be a little

00:37:25.659 --> 00:37:30.099
back Friday offer going on as well so that's over at theedition.net I hope you'll

00:37:30.099 --> 00:37:33.499
pick up copies of my new book as well Streaming Wars which covers the whole

00:37:33.499 --> 00:37:38.479
entertainment space and how it has changed in the streaming era I'll see you

00:37:38.479 --> 00:37:41.339
all next week thanks very much speak soon.

