WEBVTT

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Music.

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Hello and welcome to the edition podcast. I'm at home, football isn't.

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It's another glorious defeat for the England side. I'm, as ever,

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your host Charlotte Henry, recovering from a tumultuous weekend of sport.

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And this week I'm joined by Rob Ray, the former esteemed BBC Newsroom journalist.

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Very experienced. We're going to talk about all things sporting coverage. How are you, Rob?

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I'm fine, I'm fine. Still recovering just as you are. Yeah, are you feeling all right after?

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And we've just learned as we signed on to record the show that Gareth Southgate has departed.

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I mean, I think we both kind of thought that anyway was coming,

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but it's, and I think that is part of the media story, by the way,

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because in some ways Gareth Southgate's story is a media story, right?

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From the missed penalty in 96 to the Pizza Hut advert to the montage on Sunday night.

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He's the, well, he is the TV story. He's one of the TV stories of this year as well,

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well because it's the whole sort of redemption arc isn't it um

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or almost well yeah

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because he starts off as as you know with all the

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pundits criticizing his team selection and criticizing

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his um uh style of play and you know calling for something else and we must

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play our best players and why isn't greelish in the squad and all that sort

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of stuff and by the semi-finals it's like sort of uh it's almost as if they

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hadn't been criticizing him you've got you know shira and turning around and

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saying, you know, well, why did the media criticize him?

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You know, he's got us through. And it's like, well, you were part of that. You are the media.

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So there's a whole redemption arc for sort of, you know, he's come back and

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he's got us to another final.

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And then, of course, then everything goes wrong in the final.

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But, you know, it's the typical media thing.

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Story of how you how you treat an individual in what is essentially

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a team game yeah and i think there's some of that happening

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with some of the players as well notably jude bellingham

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and harry kane are sort of becoming the national scapegoats which is something

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we're very very good at doing in the british media in the british public more

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widely now you and i could gossip about football forever and in fact do so in

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person but this is a media show we wanted to take a step back after the

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month of coverage and take a look at it. Look, the numbers were huge.

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In the semi-final, cleared 20 million.

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I mean, I haven't seen the numbers

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for the final, but it'll be more than that. It will be huge numbers.

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And yet there's always things we can improve. And obviously it was split between

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the BBC and ITV, which is always interesting.

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I guess we should start, let's start on a positive with the stars of the coverage.

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And you and I both agree that it was ITV's kind of refereeing,

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analyst Christina Unkle who I have to say I'd

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never heard of before this tournament and I hope appears in

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many more to come and if I were Sky Sports

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or the BBC for Match of the Day I'd be speaking to her

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agent pretty promptly I had to google her I

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didn't know where she came from but apparently she's a big star in the US um

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she's done CBS's Champions League cover

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yes she knows an awful awful lot

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about football and its laws far more so than our our own pundits I thought i

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thought she was great everything she said was spot on she didn't um she didn't

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sort of prevaricate she would say this is what the law is this is what this

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is why this was given this was why this wasn't given and i particularly liked

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her performance during the semi-final.

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When the england semi-final when she quite rightly

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that should never have been looked at that wasn't a

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penalty it wasn't a close decision and she

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faced a bit of criticism for that i thought from the pundits

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in the studio say oh but it's been given and that's that that's a

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penalty in my book all that sort of stuff and she said no it

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wasn't and she kept with it and she uh even when the decision

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was given as a penalty she she stayed stuck to her

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guns which were completely right and so that wasn't a penalty i thought she

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was absolutely she's self-contained she's self-aware um she knows what she's

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talking about and she um she she never she never um she never wavers she never

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Never looks flustered. I thought she was fantastic.

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She was fantastic. What I liked about her, there has been a growing trend in

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British sports media and football media.

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And I think imported from the US NFL coverage to have a kind of refereeing analyst,

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a sports analyst. And it's normally a retired player.

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Um referee and there is frankly a

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bit of a sense of an old boys club but they're sticking up they're

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sticking up for their mates the people they've trained with the people

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they've worked with for years and you know christina uncle an american woman

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came blazing in wasn't part of the old boys club was having none of it spoke

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in this really clear way was happy to say if the decisions were correct when

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they weren't but happy to criticize what was happening when they weren't And

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it actually made for useful commentary,

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not just a way to fill the time.

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I thought so too. I thought so too. She was fantastic.

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My other star of the tournament was ITV's Karen Carney.

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Yes. Admit your bias, please.

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I am biased. She is former Chelsea, but she was very, very good.

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She didn't take any nonsense from anybody.

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She made her points on football really, really well.

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Um she doesn't um

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go for the sort of whole the the banter thing

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that annoys me so much between

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you know people like with people like shira and even micka

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richards um she gets

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to the heart of it and what she says is actually interesting it's

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actually something that i i wouldn't have thought of before and she

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uses their knowledge so i thought she was great yes um

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inevitably to be female pundits of which there

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are a growing number thankfully tend to get most of the abuse

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online but that's just that's rather

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typical isn't it of the world we live in i'd say from my

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point of view i i i i would say this

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would wouldn't i but i do like to talk try to treat people equally

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if i can i think there are some very very bad female um pundits

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and some very very good ones so karen i think is good any aluka

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i think is good yeah um alex scott

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i'm not so so sure about that sort of thing so i i don't think

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you can say all female good all female bad or no well that

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or even the other way around it just depends on the personality and

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karen's got it she's she's got it in spades yeah she

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does my favorite while we're talking while.

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We're sticking with itv for the moment is always ali mccoist because he's

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just having fun he is like you and i would be if we were paid to

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talk about football um he's just having fun

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and i pretend anything else does he no he's having

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fun and i respect it um i'm here for it i guess we have to talk about the bbc.

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As the sort of national broadcaster and your former employer um always look

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i've written about it plenty lots of controversy swirling around gary lineker the whole time because,

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even though the bbc rewrote social media rules for him he seems to be trying

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to push the limits bits of them with his more political opinions.

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But he, he's obviously leading the coverage.

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Then there's, you know, the likes of Alan Shearer and so on and so forth that

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I have to say, I really can't deal with Alan Shearer on commentary. It's,

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Not all the things you were saying about Karen Carney. He's the opposite. I agree.

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I agree. I think the problem with Shearer is that he spent his first few years

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as a commentator or as a pundit being criticized for not saying anything of interest at all.

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He would just say the obvious and the banal.

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And I think he's taken that too much on board. And he thinks every time he opens

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his mouth, he's got to say something controversial.

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And almost everything he says is ludicrous.

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His commentary on the football itself is poor.

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He makes up these ridiculous things like the pressure is for tyres thing what

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is that all about it doesn't give you anything it doesn't add anything to your,

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knowledge about the game he's terrible,

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why then give us some insight for someone that's been in the you didn't work

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on the sports side of the BBC so I don't want to put you in too much of a difficult

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position but why would a broadcast of the calibre of the BBC,

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of the national and international standing of the BBC,

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if you and I as dedicated football fans are looking at, listening to this and

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watching this going, this is not helping my enjoyment of the sport I love,

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why is the BBC persisting with him?

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Well, with Shearer it's obvious, isn't it, Charlotte? I mean, it's the name.

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It's purely and simply the name. But they would have done...

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And they will have done polls about, you know, how it's how it goes down.

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And what seems to go down is that there seems to be a liking for that sort of

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blokey banter thing, which Shearer and Lineker have.

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They have managed to a fashion. They've managed some sort of double act that

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they seem to like. I mean, I like Lineker as a presenter.

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I think he's really good. I think he's clear. He's focused on what he's doing.

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But when he gets into that double act with Shearer, it's almost unwatchable.

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I have a problem too. I'm very fond of Micah Richards when he's simply talking

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about football, but when he gets involved in that sort of triangle of the three

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blokes trying to banter each other,

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he comes across as like a younger brother trying to impress the other two,

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and it doesn't work for me.

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But I'm not the target audience, and nor are you, Charlotte.

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We want to watch football.

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Other people are more interested in sort of, I don't know, the personalities.

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Personalities and it's it's yeah i mean michael richards

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is at least a bit of a personality compared to the other two

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i mean he does when well i think

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when he's asked to talk football by himself and he's

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given a chance by himself he comes up with interesting stuff but when he's when

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he's involved in that sort of three-way um and forth yeah joking yeah the the

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yeah it doesn't it doesn't work at all and it's not his fault i don't think

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he's he's at fault and i still don't think that's the worst thing about the

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bbc's coverage by the way do you want to ask what the worst thing is?

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No, I want to sit back and listen while you tell me what the worst thing is.

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Danny Murphy is the worst thing about the BBC. It's okay.

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His commentary is unbelievable. Everything he says is wrong.

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He'll say things like, one thing I noticed was, oh, during the French semi-final,

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and the second Spanish goal, the ball comes across, it's knocked in by a defender,

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and he says, well, that's not an own goal, because it was a really talented

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a bit of play and a lovely shot.

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It's like, yes, but the player deflected it into his own goal.

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And I don't care what UEFA gave it as, that was an own goal.

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That's just one example. He does this all the time.

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He is by far the worst commentator I've ever heard on football,

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and that includes Sam Matterface and ITV as well.

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Wow. You're pulling no punches. I know, I'm shopping. You're pulling no punches here.

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I am not. I actually don't have as much of a problem with Sam Matterface as a lot of other people do.

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I want to step back from just slacking off people, as fun as it is.

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We can resume that in the pub at another time. I want to talk about the logistics of an event like this,

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because, first of all, there's obviously broadcasters from all around the world

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there, of which the BBC and ITV are the ones we watch, but they're not the only ones.

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You know, there's all sorts of coverage from all around the world on that.

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How you've worked on big events in the bbc again

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not sporting events but election nights and

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other big set piece events talk me

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through the planning process of these big events and the kind of logistics of

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setting them up oh god it's incredibly daunting i mean i remember doing the

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logistics for um just for bbc news on our champion the champions league final um and that's just a

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BBC News operation so it's um yeah they don't have the coverage

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yeah they don't actually sort of cover from inside um speaking

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as a producer it's it's horrific you're you know

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you you're you're you're you're

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you know you from a month before you're involved in discussions

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almost every day with with with satellite truck

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um engineers and logistics people

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and then you're trying to sort of um work it out

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you know work out positions abroad and so on I mean

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luckily for the in when it comes down to the euros and

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things like that the bbc have got these planned years and years in

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advance i was going to say it must be more than a month absolutely no this

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is like i say that was just for news so um i think for the in probably for the

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individual producers it's not not so bad because they've got the the the the

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weight of the bbc behind that they've had years of negotiations they'll have

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they'll have rented out their studio you know like i say months and months in

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advance. They know where it's going to be.

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Bringing all the equipment together is tricky these days, because a lot of it

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is a lot of it's freelance.

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So you're not bringing your own equipment over a lot of the time you're hiring

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stuff from, from companies abroad and so on.

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That makes all the logistics trickier. But on the other hand,

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you don't then have to sort of, you know, move it back and forth across borders. Exactly. Um,

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in terms of how you

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cover it as well i mean in terms of where you anchor from in

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terms of you know sort of how you provide you know sort of coverage

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from from from from inside grounds as well

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that that all becomes um very tricky as well um the

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one thing that does make it easier of course for things like euros is that you've

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got you're using the host broadcasters actual match footage right so this gets

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you on to one of the things that i think is the worst bit of the coverage oh

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yeah uh i mean the so yeah so you don't have to produce you provide your own sort of 17 camera,

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shoot with an outside broadcaster you're just relying on on what they produce

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but the trouble is you're then

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in their hands as we well know so you might want to see footage of the.

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The disallowed penalty um and what

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you get well you want you want to see an action replay of that

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instead what you're going to get is an action replay of i don't

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know the serbian defender's face as he's taken off

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the pitch for you know as you know tony cruz

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clapping or something it is unbelievable i couldn't

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believe how bad the host broadcast uh broadcasters

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coverage was and i don't know because i don't know i wasn't involved in that

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whether the host broadcaster is actually uefa which is sometimes the case or

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fifa in terms of the world cup or whether it was the german tv providing the

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um the host coverage all i know is it was incredibly bad so you're saying i

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don't you you might want to watch a replay of this, that, or the other.

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I just want to watch what's actually happening on the pitch.

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And there were moments where big things were happening.

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Yeah. And some nonsense replay was happening and you couldn't see it.

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Yeah, that was my big problem. Absolutely. I don't mind replays.

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What I do not want to see is a slow motion close-up of a player's face reacting

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to something that wasn't very important in the first place.

00:15:26.006 --> 00:15:29.586
But that's what we got throughout the tournament. And I don't want to miss live

00:15:29.586 --> 00:15:31.086
stuff that's happening.

00:15:31.546 --> 00:15:37.506
I just want to get back to the logistics. So dealing with getting the kit over, there was, of course...

00:15:38.579 --> 00:15:42.499
Another spanner thrown in the works for a broadcaster like the BBC,

00:15:42.839 --> 00:15:49.399
which is that the then Prime Minister Rishi Sunak decided to throw a general election.

00:15:49.499 --> 00:15:55.159
He called a general election, which is a huge moment for all broadcasters,

00:15:55.199 --> 00:15:58.999
but especially the BBC, as you have personal experience of.

00:15:59.219 --> 00:16:03.899
So they were having to contend with these two major events. They thought they

00:16:03.899 --> 00:16:07.639
could do the Euros in the summer of sport and the Olympics and then probably

00:16:07.639 --> 00:16:09.319
deal with an election October, November.

00:16:10.099 --> 00:16:14.579
But that didn't happen. For the first couple of weeks of the Euros,

00:16:14.839 --> 00:16:19.139
they were also having to cover an election campaign, and that included a debate

00:16:19.139 --> 00:16:21.519
while there was football going on on ITV.

00:16:22.259 --> 00:16:29.319
How on earth did a newsroom and the top tiers of production manage?

00:16:29.439 --> 00:16:32.239
How would that conversation happen? How do they balance that out?

00:16:32.239 --> 00:16:41.039
So I remember, without getting into my personal details, I left the BBC last

00:16:41.039 --> 00:16:43.179
year, a period of time from the BBC.

00:16:43.359 --> 00:16:46.779
And I remember at the time then saying that this year was going to be possibly

00:16:46.779 --> 00:16:50.459
the most challenging year financially for BBC News they'd ever faced.

00:16:50.959 --> 00:16:54.339
And they knew they were going to face a UK election. They were also facing a

00:16:54.339 --> 00:16:56.159
US election, and they knew there

00:16:56.159 --> 00:16:59.099
were going to be Euros, and they knew the Olympics, all those things cost.

00:17:01.079 --> 00:17:04.999
I can't emphasise this enough for my American listeners, these are hugely important

00:17:04.999 --> 00:17:09.239
for the BBC, the BBC doesn't have that much sport, doesn't get to show that

00:17:09.239 --> 00:17:12.259
much live sport, it's even showing a dwindling amount of the Olympics, frankly.

00:17:14.606 --> 00:17:18.226
But people turn to the BBC for elections, like it or loathe it,

00:17:18.946 --> 00:17:23.126
and people turn to it for that free-to-air international football.

00:17:23.486 --> 00:17:25.626
These are huge, significant events

00:17:25.626 --> 00:17:29.246
for the BBC, and you've outlined there were four of them in one year.

00:17:29.886 --> 00:17:34.166
Well, I can't speak for the rest of the BBC, and I know that BBC Sport is given

00:17:34.166 --> 00:17:37.266
the money to put on a proper show at things like the Euros.

00:17:37.506 --> 00:17:42.686
But in terms of BBC News, I remember being told by one manager that basically

00:17:42.686 --> 00:17:48.106
there was no money for anything else, that all the other news coverage had to be pared down.

00:17:48.126 --> 00:17:52.306
We wouldn't be doing any other set pieces apart from those four things this year.

00:17:52.506 --> 00:17:56.006
So bringing the election forward didn't help, but I think the BBC had already

00:17:56.006 --> 00:17:58.766
sort of priced it in in this year's finances.

00:17:59.526 --> 00:18:05.406
It priced it in in terms of money, but there's only a set number of channels.

00:18:05.666 --> 00:18:08.946
Obviously, you have the iPlayer, but it's not really what we're talking about.

00:18:08.946 --> 00:18:13.426
And there's only a set number of producers and logistics and presenters.

00:18:15.006 --> 00:18:19.566
And there's only a set number of time in the TV schedule.

00:18:20.186 --> 00:18:25.026
Well, I noticed that they seem to juggle the debates and the Euros quite well.

00:18:25.446 --> 00:18:27.046
And I suppose we were lucky. I thought they did.

00:18:27.826 --> 00:18:32.246
I suppose we were lucky that the actual last week of the election wasn't the

00:18:32.246 --> 00:18:33.906
last week of the Euros as well.

00:18:34.146 --> 00:18:37.706
I mean, they just about managed to sort of get around that. So I suppose scheduling,

00:18:37.766 --> 00:18:38.986
they just about got away with it.

00:18:39.226 --> 00:18:41.766
And you can reschedule things like the debate. You can, you know,

00:18:41.806 --> 00:18:43.486
you can play about with that and put in the right days.

00:18:43.526 --> 00:18:46.386
There was one day, wasn't there, when there was a debate and an England game

00:18:46.386 --> 00:18:49.226
on the same day? I believe so, yeah. Yeah.

00:18:50.306 --> 00:18:53.766
But again, I think there was on, I mean, they managed to split channels.

00:18:53.866 --> 00:18:55.426
They didn't have to stick one of them on BBC Two.

00:18:57.186 --> 00:19:01.906
It did make things trickier. I mean, there is an argument that says Sunak called

00:19:01.906 --> 00:19:04.666
the election in order to sort of get some bounce off the Euros,

00:19:04.666 --> 00:19:07.366
which is a bizarre thing to try and do, I think.

00:19:08.506 --> 00:19:11.946
It wouldn't have helped the BBC, but I think in terms of...

00:19:13.193 --> 00:19:20.273
But in terms of finances, they had already taken that on board,

00:19:20.353 --> 00:19:21.793
and it's not going to be easy for them.

00:19:21.973 --> 00:19:27.213
And certainly, I know, like I say, for BBC News, it's basically then a screw for the rest of the year.

00:19:28.153 --> 00:19:34.133
How would the newsroom have reacted, you know, the producers of your seniority and much less?

00:19:34.953 --> 00:19:39.593
In terms of what? In terms of you suddenly, you know you're building up to the

00:19:39.593 --> 00:19:41.833
Euros, which is a news event as well as a sports event.

00:19:42.493 --> 00:19:47.853
And then you realise you've got this huge general election coming as well.

00:19:48.673 --> 00:19:53.593
Well, I mean, for BBC News it was very difficult as well because they split

00:19:53.593 --> 00:19:56.493
their coverage, didn't they, between BBC World and BBC News,

00:19:56.613 --> 00:19:59.813
which is something that they're not really starting to do anymore.

00:20:02.053 --> 00:20:08.093
As I've covered a lot over on New Edition. Yeah. But you work with what you've got.

00:20:08.153 --> 00:20:11.493
You work flat out and at the end of it you take a,

00:20:11.833 --> 00:20:14.433
a well-earned rest i'm intrigued to know what bbc news is going to be

00:20:14.433 --> 00:20:17.993
like over the next sort of three or four weeks when all their producers are uh are

00:20:17.993 --> 00:20:20.953
taking are either sort of um recovering from nervous breakdowns or

00:20:20.953 --> 00:20:24.273
you know sort of going on holiday and taking taking a well-earned break well

00:20:24.273 --> 00:20:27.893
luckily there's no news happening at the moment though there's something i mean

00:20:27.893 --> 00:20:31.673
the the thing is there's interesting news choices to be made um when you've

00:20:31.673 --> 00:20:36.333
got events like this happening together i mean we we talked about um what would

00:20:36.333 --> 00:20:39.073
you lead on it yes we were having a gossip over lunch, weren't we?

00:20:39.153 --> 00:20:43.253
Yeah, if Trump had been shot on the day of the Euro finals, what's the lead?

00:20:43.333 --> 00:20:49.193
So I think these things become important for producers, trying to balance off

00:20:49.193 --> 00:20:54.193
news events, especially when they're so disconnected in terms of tone.

00:20:55.753 --> 00:21:02.513
But yeah, I mean, apart from that, things are capable with, we've spent years

00:21:02.513 --> 00:21:04.633
and years and years where things coincide.

00:21:04.673 --> 00:21:08.473
So I don't I don't think that necessarily is a huge problem.

00:21:09.273 --> 00:21:13.033
Here's just back to the Euros itself, then. Here's my question.

00:21:13.553 --> 00:21:22.173
The BBC and ITV both spent a fortune on beautiful studios out in Germany. Why?

00:21:24.733 --> 00:21:29.693
This is an old argument, though, isn't it, that we should be presenting back from London?

00:21:29.713 --> 00:21:33.173
I think the feeling is that, you know, you sort of need to be there.

00:21:33.173 --> 00:21:37.753
You sort of need to provide the audience with a feeling of from the host country um,

00:21:39.417 --> 00:21:44.437
Whether it's financially justifiable is questionable. But I think the audience

00:21:44.437 --> 00:21:48.917
does appreciate the fact that you're out in the country where the actual events are happening.

00:21:49.297 --> 00:21:50.797
But you could have reporters there.

00:21:50.817 --> 00:21:55.637
I mean, the shots from the studio were beautiful, the view behind them.

00:21:55.997 --> 00:22:01.577
But I can't even imagine what that studio space must cost, what it must cost

00:22:01.577 --> 00:22:04.437
to put up the presenters and pundits for a month.

00:22:06.497 --> 00:22:10.597
Where they could all be in Salford or London. I'm not going to get into the

00:22:10.597 --> 00:22:13.537
cost of it, Charlotte, because I honestly don't know how it works out.

00:22:13.577 --> 00:22:16.037
It will work out as at a lot. You're quite right.

00:22:16.497 --> 00:22:19.877
Yeah. We don't need to know the number, but it has a lot of zeros on it.

00:22:20.137 --> 00:22:22.637
From an audience point of view, from a viewer's point of view,

00:22:22.717 --> 00:22:24.837
I still think it's worth it.

00:22:24.877 --> 00:22:29.457
I like the idea that they're out there, you know, and they could wander on down

00:22:29.457 --> 00:22:31.257
to the games if they felt like it.

00:22:31.337 --> 00:22:35.037
I think it makes a difference to the tone.

00:22:35.577 --> 00:22:37.417
Do you? You think it's worth the money?

00:22:38.317 --> 00:22:40.017
Yeah, I think so. I think so.

00:22:41.357 --> 00:22:43.697
I mean, there might come a point when the BBC is so strapped for cash,

00:22:43.757 --> 00:22:47.037
they have to do it from a sort of, you know, cardboard box in, as you say, in Salford.

00:22:47.057 --> 00:22:51.857
But let's wait until that happens before we complain too much.

00:22:52.537 --> 00:22:57.437
Yeah, no, it's fair enough. I guess I have to ask you, I'll put you on the spot a bit.

00:22:58.297 --> 00:23:02.057
Just on the BBC in general, we've obviously got a new culture secretary in Lisa

00:23:02.057 --> 00:23:05.737
Nandy and a new government under the Labour government.

00:23:06.237 --> 00:23:09.537
Do you think we're going to see a different approach to the BBC to the one we've

00:23:09.537 --> 00:23:12.497
seen for the last 14 years? I think they've already marked that out.

00:23:12.997 --> 00:23:18.477
I mean, Starman has already made it plain that he's not looking at sort of immediate

00:23:18.477 --> 00:23:20.257
replacements for the licence fee.

00:23:20.357 --> 00:23:23.497
I mean, after years under Dean Doris, that comes as a welcome relief.

00:23:25.017 --> 00:23:29.177
There was a bit of Nadine Doris as the Culture Secretary. There's been a few others as well. Yeah.

00:23:29.277 --> 00:23:33.717
And I do think that there will definitely be a change in position,

00:23:33.797 --> 00:23:36.597
although there already has been a change in position and that will last for

00:23:36.597 --> 00:23:39.277
at least a year, I would have thought.

00:23:40.533 --> 00:23:45.313
I think all governments have a tendency to row back on that and start thinking

00:23:45.313 --> 00:23:51.933
that the BBC is sort of a – something should be done about it after a couple

00:23:51.933 --> 00:23:53.453
of years. I think it's the natural thing of government.

00:23:54.133 --> 00:23:58.653
I think the BBC needs to enjoy a little honeymoon. Enjoy a little honeymoon. I hope they get one.

00:23:59.913 --> 00:24:03.113
Because, I mean, you and I are fans of the BBC.

00:24:03.173 --> 00:24:06.593
I always say – I board my listeners a census with it because every time I discuss

00:24:06.593 --> 00:24:10.053
the BBC, I say that I think it's the best value subscription I pay for.

00:24:10.533 --> 00:24:16.673
Um but obviously pardoned apart from the edition obviously apart from the edition

00:24:16.673 --> 00:24:20.793
you should pay for that but i cost a lot less yes uh than the bbc i don't pay

00:24:20.793 --> 00:24:24.573
for the edition for list for listeners it's the best i'm the best subscription

00:24:24.573 --> 00:24:27.253
but for me it's the bbc but,

00:24:28.013 --> 00:24:32.253
that license look we have this conversation about the license fee endless amounts

00:24:32.253 --> 00:24:36.553
of times i can't even imagine how many times you had to discuss it in your many

00:24:36.553 --> 00:24:38.213
years in the corporation operation.

00:24:39.073 --> 00:24:44.413
But I do wonder if we're going to get a little break from that incessant.

00:24:45.313 --> 00:24:49.333
I hope so. I don't think it'll last long. You still don't think, yeah, okay.

00:24:49.513 --> 00:24:54.453
I mean, choices will have to be thought about whether the licence fee can last,

00:24:54.493 --> 00:24:57.273
you know, more than another 10 years or so.

00:24:57.613 --> 00:25:01.693
I mean, obviously, that's still going to be an issue. But I do think we get

00:25:01.693 --> 00:25:03.213
a break from it for at least a year or so.

00:25:03.373 --> 00:25:10.953
And I think that's a really really good thing um i don't want to have yet another

00:25:10.953 --> 00:25:16.133
discussion about sort of why subscription is um the bbc is such a terrible idea

00:25:16.133 --> 00:25:20.613
i don't want to have another discussion about why ads are a terrible idea um.

00:25:22.367 --> 00:25:26.187
In a way it's better for me it's not it's not so personal for me now now i'm

00:25:26.187 --> 00:25:28.967
out of there um but i still i

00:25:28.967 --> 00:25:36.607
i it still feels like an argument that is sitting there in the background.

00:25:37.747 --> 00:25:41.927
And i don't i don't think it will go away and i don't think um the labour party

00:25:41.927 --> 00:25:46.567
can duck it forever but like you say to have a break from it is is is very very

00:25:46.567 --> 00:25:48.927
welcome uh yeah i think it It probably is.

00:25:49.587 --> 00:25:55.487
And I guess we just have to wrap up then with England sort of pulling short

00:25:55.487 --> 00:25:59.067
once again on a Sunday night.

00:25:59.707 --> 00:26:02.987
I have to say, no one does a montage better than BBC Sport, do they?

00:26:03.167 --> 00:26:05.347
They love their montages. They're very good at them.

00:26:05.747 --> 00:26:07.227
You know, people, you can still

00:26:07.227 --> 00:26:12.047
see grown men of a certain age cry at Ness and Dorma from Italian 90.

00:26:12.447 --> 00:26:16.567
What was the montage? Which was the montage this time that had the shot that

00:26:16.567 --> 00:26:18.207
ended on Graham Taylor in the crowd.

00:26:18.607 --> 00:26:22.687
Yeah, we've had a few of those. That was lovely. That was lovely, to be honest.

00:26:22.727 --> 00:26:27.007
But they do these very well, the BBC montage.

00:26:27.787 --> 00:26:31.587
They're kind of a genre of their own, aren't they? There are some really good

00:26:31.587 --> 00:26:34.667
montages away from sort of mainstream TV now as well.

00:26:34.747 --> 00:26:40.607
I mean, TikTok was absolutely full of them. My son kept on showing me them, some fantastic ones.

00:26:41.167 --> 00:26:44.547
Well, that's a really interesting point, actually, because we sort of assume

00:26:44.547 --> 00:26:49.067
it's all about the BBC and ITV and their coverage.

00:26:49.327 --> 00:26:52.907
But there was huge, inevitably, I mean, I'm not saying that like it's a revelation.

00:26:52.987 --> 00:26:55.827
There was, of course, huge amounts on social media.

00:26:56.867 --> 00:27:02.527
There was an amazing, there was some amazing ones of like classic England stories

00:27:02.527 --> 00:27:03.907
of redemption, weren't there?

00:27:04.447 --> 00:27:10.787
Whether it was an Adidas Hey Jude advert or, as you say, sort of user-created

00:27:10.787 --> 00:27:13.907
content on TikTok and Instagram and Twitter?

00:27:14.207 --> 00:27:17.647
Well, that worries me. I mean, the thing that does worry me about sort of the

00:27:17.647 --> 00:27:26.707
whole sort of user-generated content is that it falls into the same thing that I think...

00:27:28.039 --> 00:27:32.339
Um, a lot of the TV coverage this time around fell into, and there may be influence

00:27:32.339 --> 00:27:34.359
each other. And it's, it's, we've talked about it before.

00:27:34.439 --> 00:27:38.959
It's the, it's the, it's the fixation on individual stories and individual arts.

00:27:38.959 --> 00:27:47.919
And if there was one thing that I'd hope that the Southgate era had taught us,

00:27:48.099 --> 00:27:54.439
and one thing that maybe the collapse of the Golden Generation and all that

00:27:54.439 --> 00:27:58.659
sort of stuff had told us, was that focusing on individuals in a team event

00:27:58.659 --> 00:28:00.799
is a very, very bad thing.

00:28:01.119 --> 00:28:04.959
But we seem to fall into it so far in this tournament.

00:28:04.959 --> 00:28:07.859
Tournament the whole Bellingham thing and Bellingham was

00:28:07.859 --> 00:28:11.799
a great great player but he had a terrible tournament um and

00:28:11.799 --> 00:28:14.659
we can't keep on going about

00:28:14.659 --> 00:28:17.779
as we could we can't fall into that sort of um what was

00:28:17.779 --> 00:28:22.119
the what was the Bellingham phrase um who else yeah who else you know we we

00:28:22.119 --> 00:28:25.639
can't do that and if we do it we're just going to keep on failing and we've

00:28:25.639 --> 00:28:29.439
done it like you said we did it with Kane because you know Harry was you know

00:28:29.439 --> 00:28:32.079
oh he's been the savior of England he's the he's the the one that's going to

00:28:32.079 --> 00:28:34.739
lead us to glory and it's like no he he might as part of a team.

00:28:35.459 --> 00:28:38.519
But he's not going to do it by himself and then when he falls short of those standards then

00:28:38.519 --> 00:28:41.579
the then the blame comes out yeah the same could happen

00:28:41.579 --> 00:28:44.779
for bellingham it's a very british way of doing it yeah but

00:28:44.779 --> 00:28:47.679
you destroy players by doing that you destroy teams like doing

00:28:47.679 --> 00:28:51.479
that and you say it's a british way of doing it but i suspect it's

00:28:51.479 --> 00:28:54.239
a social media way of doing

00:28:54.239 --> 00:28:57.259
it yeah american sport as well and it's

00:28:57.259 --> 00:29:00.199
um yeah you're it's worrying i

00:29:00.199 --> 00:29:03.919
don't like it as a as a as a tendency no i

00:29:03.919 --> 00:29:06.699
mean there was another beautiful montage that i saw on

00:29:06.699 --> 00:29:10.939
twitter as well um you know how do you compare actually you and i both watch

00:29:10.939 --> 00:29:14.039
a lot of american sport i have to say i don't know if this isn't just me being

00:29:14.039 --> 00:29:20.579
a bit uh you know home homey but i tend to prefer the british way of covering

00:29:20.579 --> 00:29:24.579
sport We've imported a lot of their tendencies,

00:29:24.659 --> 00:29:26.059
particularly on Sky Sports.

00:29:26.559 --> 00:29:31.159
The BBC tends to resist some of the Americanisation of coverage.

00:29:32.729 --> 00:29:36.509
I prefer it. I prefer the British one, but there is an interesting thing.

00:29:36.509 --> 00:29:37.849
We're a bit more low-key, aren't we?

00:29:38.109 --> 00:29:43.469
Yeah. So when you look at NFL coverage, for example, you realise how sophisticated

00:29:43.469 --> 00:29:49.669
the techniques and the commentary is, of how they're reporting the game.

00:29:49.749 --> 00:29:54.069
And they take it to a level which is almost beyond the level of the casual viewer,

00:29:54.269 --> 00:29:56.469
which is why I don't think British TV will ever do that.

00:29:56.469 --> 00:29:59.269
Um it's a totally different

00:29:59.269 --> 00:30:02.309
way of of of producing and

00:30:02.309 --> 00:30:04.889
reporting and broadcasting sport whether it's for the

00:30:04.889 --> 00:30:07.769
best like you say i'm not so sure tony romo and his

00:30:07.769 --> 00:30:10.989
lines and diagrams and everything else yeah absolutely

00:30:10.989 --> 00:30:16.889
well i guess we sort of better wrap it up there and uh go back to crying to

00:30:16.889 --> 00:30:22.929
our cups of tea that once again our team has fallen short just towards that

00:30:22.929 --> 00:30:28.329
i want to look ahead to the Olympics though because it's another big set piece moment for the BBC,

00:30:29.209 --> 00:30:32.289
there's going to be a lot of weepy montages and that is about individual

00:30:32.289 --> 00:30:37.349
stories in a way that the football isn't very much so and it it it lends itself

00:30:37.349 --> 00:30:40.169
to that doesn't it because it is it like you say it's individual achievements

00:30:40.169 --> 00:30:44.689
um so you can do the individual stories and the you know the recovery recovery

00:30:44.689 --> 00:30:50.869
from injury I used to do a lot of um writing on sort of sports stars as well well.

00:30:50.889 --> 00:30:58.089
And there's always you can always the bog standard profile, sports profile is.

00:30:59.790 --> 00:31:02.430
Was brilliant had an injury or you know sort of had a

00:31:02.430 --> 00:31:05.310
setback and then came back and recovered that's that was brilliant

00:31:05.310 --> 00:31:08.250
um again that we

00:31:08.250 --> 00:31:10.890
we know that the um the tv coverage the olympics is going to

00:31:10.890 --> 00:31:13.530
be full of that i'm looking forward to it i think it's gonna be and look and

00:31:13.530 --> 00:31:18.090
after that channel four picks up the baton with the paralimics and that is a

00:31:18.090 --> 00:31:24.330
amazing tale of individual stories and i have to say i in however many years

00:31:24.330 --> 00:31:29.010
i've still never seen a better advert than channel Channel 4's London 2012 Meet the Superheroes,

00:31:29.010 --> 00:31:31.830
Meet the Superhumans Paralympics advert,

00:31:31.970 --> 00:31:34.930
which I think is basically one of the best sports adverts I've ever seen.

00:31:36.650 --> 00:31:39.890
But anyway, Rob, I'm so pleased you got to join me for this and we got to sort

00:31:39.890 --> 00:31:44.750
of have a joint therapy session out loud to get over our hurt.

00:31:44.850 --> 00:31:49.310
Yeah, I'm looking forward to Wimbledon, so I'm looking forward to some of that as well.

00:31:49.870 --> 00:31:53.050
Yeah, we didn't even talk about Wimbledon, which is a huge event for the BBC

00:31:53.050 --> 00:31:54.470
as well. Oh, oh my goodness.

00:31:55.030 --> 00:31:58.410
They've done a huge amount over the last few weeks. And probably,

00:31:58.570 --> 00:32:01.210
as you say, there's a lot of presenters that need a lie down.

00:32:01.330 --> 00:32:06.310
Rob, thank you so much for joining me and for having this joint therapy session out loud.

00:32:07.050 --> 00:32:09.910
Where can people keep up with you as the summer of sport continues?

00:32:11.570 --> 00:32:16.250
Well, well, I would say that I take sort of copious notes and put them on social media.

00:32:16.350 --> 00:32:21.070
What I mean is I rant on Twitter a lot. So you can find me on Twitter at Robert

00:32:21.070 --> 00:32:26.570
Ray, all one word R-E-A is the spelling of the surname so there will be a lot

00:32:26.570 --> 00:32:30.130
of ranting about the Olympics and a lot of ranting about Chelsea's season,

00:32:32.470 --> 00:32:35.950
2024-2025 which I'm not looking forward to with the same degree of enthusiasm

00:32:35.950 --> 00:32:41.910
No and we won't we won't get into that particular rivalry I'm at Charlotte A.

00:32:41.930 --> 00:32:45.530
Henry across social media if you've enjoyed this show hopefully you'll enjoy

00:32:45.530 --> 00:32:49.510
the edition as well go to theedition.net to read the blog post there to read

00:32:49.510 --> 00:32:52.890
the newsletters there and to take out a subscription, which,

00:32:52.950 --> 00:32:55.190
as Rob says, is just phenomenally good value.

00:32:56.170 --> 00:32:58.450
Thank you all for listening, and I'll see you soon.

00:32:59.280 --> 00:33:07.575
Music.

